https://brendanheshka.com Brendan Michal Heshka Wed, 28 Jun 2023 08:45:03 +0000 https://brendanheshka.com en https://brendanheshka.com/Homepage Tue, 08 Dec 2020 14:52:57 +0000 Brendan Michal Heshka https://brendanheshka.com/Homepage <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/d9f5e7a29115eeb037a8cabcc4971387640ef801291bc23a49a33e48e9afa98f/Black_triptych_02.jpg" data-mid="183416473" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/d9f5e7a29115eeb037a8cabcc4971387640ef801291bc23a49a33e48e9afa98f/Black_triptych_02.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="100978406" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" />All rights reserved&nbsp;© 2023 Brendan Heshka Impressum · Instagram&nbsp;· Contact https://brendanheshka.com/Works Tue, 08 Dec 2020 15:05:34 +0000 Brendan Michal Heshka https://brendanheshka.com/Works Works AloneOil on canvas, 2022120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/256252e1c4129c60c327128b94ced9f6897243da4e9a529e7786b63f4e9a0657/Alone.jpg" data-mid="183416898" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/256252e1c4129c60c327128b94ced9f6897243da4e9a529e7786b63f4e9a0657/Alone.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/39a9e42f294090a6225d6f4eebb9ec2c29144a50c93873283c548e815353ecb4/Alone_detail_BR.jpg" data-mid="183416893" border="0" src="https://freight.cargo.site/w/1000/i/39a9e42f294090a6225d6f4eebb9ec2c29144a50c93873283c548e815353ecb4/Alone_detail_BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/a4aac19f39e6cfc5fb234108a9ca33940961ad578ac07dbf3f4e9815a65d88fa/Alone_detail_TL.jpg" data-mid="183416894" border="0" src="https://freight.cargo.site/w/1000/i/a4aac19f39e6cfc5fb234108a9ca33940961ad578ac07dbf3f4e9815a65d88fa/Alone_detail_TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/82c5b4ab5387067a5c6c9da0c22ebbccc42b8fbc7ff01b461f2aa39b88cba9da/Alone_detail_BL.jpg" data-mid="183416890" border="0" src="https://freight.cargo.site/w/1000/i/82c5b4ab5387067a5c6c9da0c22ebbccc42b8fbc7ff01b461f2aa39b88cba9da/Alone_detail_BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/d26afec11643448dd7db9f565357616d1b7a4ac0eadf1e62038816d6412a443c/Alone_detail_TR.jpg" data-mid="183416897" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/d26afec11643448dd7db9f565357616d1b7a4ac0eadf1e62038816d6412a443c/Alone_detail_TR.jpg" /> The Interpretation of DreamsOil on canvas, 2022120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/42981c04858ef184c1e407055277726485b3b5e49f1902eabedd7b5e0fd746b5/InterpretationOfDreams.jpg" data-mid="183416906" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/42981c04858ef184c1e407055277726485b3b5e49f1902eabedd7b5e0fd746b5/InterpretationOfDreams.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/3683d1acd5738e23176145b566ce286ed696e4adf2743ceb184c4f546a6bd45d/InterpretationOfDreams_detail_BR.jpg" data-mid="183416901" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/3683d1acd5738e23176145b566ce286ed696e4adf2743ceb184c4f546a6bd45d/InterpretationOfDreams_detail_BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6da430ddb824aa07887db749285d67dc04e9543b3cdbe7bdc5ce7df3fc935ca6/InterpretationOfDreams_detail_TL.jpg" data-mid="183416903" border="0" src="https://freight.cargo.site/w/1000/i/6da430ddb824aa07887db749285d67dc04e9543b3cdbe7bdc5ce7df3fc935ca6/InterpretationOfDreams_detail_TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/c1ce2c1ae1b29872968e2b1e40e62933d0c1729557038a2839a717a896d05200/InterpretationOfDreams_detail_TR.jpg" data-mid="183416905" border="0" src="https://freight.cargo.site/w/1000/i/c1ce2c1ae1b29872968e2b1e40e62933d0c1729557038a2839a717a896d05200/InterpretationOfDreams_detail_TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/87ac860ca7e881ed4727a25c8032cc32e3afdfbe88f0d691f87f7877c6a21d9e/InterpretationOfDreams_detail_BL.jpg" data-mid="183416899" border="0" src="https://freight.cargo.site/w/1000/i/87ac860ca7e881ed4727a25c8032cc32e3afdfbe88f0d691f87f7877c6a21d9e/InterpretationOfDreams_detail_BL.jpg" /> The Sound and the FuryOil on canvas, 2022120 x 90 cm <img width="3693" height="5540" width_o="3693" height_o="5540" data-src="https://freight.cargo.site/t/original/i/bc1cde2890cd25abf13f35fad8df3c9543f92521c256ea98bf7039b777ddb1ea/SoundAndTheFury.jpg" data-mid="183416912" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/bc1cde2890cd25abf13f35fad8df3c9543f92521c256ea98bf7039b777ddb1ea/SoundAndTheFury.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6b5652d92307e495bbaca525f0533323421735e16c13e4b34f23baecf2d12bc6/SoundAndTheFury_detail_BR.jpg" data-mid="183416908" border="0" src="https://freight.cargo.site/w/1000/i/6b5652d92307e495bbaca525f0533323421735e16c13e4b34f23baecf2d12bc6/SoundAndTheFury_detail_BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/234b2e5bd0b57d04df536b3f55ced19258409c7465f011e3380aab0e6af267a5/SoundAndTheFury_detail_TL.jpg" data-mid="183416910" border="0" src="https://freight.cargo.site/w/1000/i/234b2e5bd0b57d04df536b3f55ced19258409c7465f011e3380aab0e6af267a5/SoundAndTheFury_detail_TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/c1a40eabcd73375e409568ea12baa2e56412bb54727ecf35b15307a4f49d0c74/SoundAndTheFury_detail_TR.jpg" data-mid="183416911" border="0" src="https://freight.cargo.site/w/1000/i/c1a40eabcd73375e409568ea12baa2e56412bb54727ecf35b15307a4f49d0c74/SoundAndTheFury_detail_TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/5c244f2df17cc3ac3f1157f63967ae943bf7a65bb8c710eddf8ba639817ad9c2/SoundAndTheFury_detail_BL.jpg" data-mid="183416907" border="0" src="https://freight.cargo.site/w/1000/i/5c244f2df17cc3ac3f1157f63967ae943bf7a65bb8c710eddf8ba639817ad9c2/SoundAndTheFury_detail_BL.jpg" /> Caligari’s Cabinet DoorStained &amp; shellacked Ponderosa pine, 2020180 x 60 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/4ca9bf3127cfacef3caa9f9825b3420ed2d0861530e0eed00d1c8c21fcd096e8/SkewdDoor.FullClose.jpg" data-mid="92222319" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/4ca9bf3127cfacef3caa9f9825b3420ed2d0861530e0eed00d1c8c21fcd096e8/SkewdDoor.FullClose.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/516c36b42589697f2f0fb4644817083218103b168c49b333c8e89756ca11e18e/SkewdDoor.Detail.01.jpg" data-mid="92452465" border="0" src="https://freight.cargo.site/w/1000/i/516c36b42589697f2f0fb4644817083218103b168c49b333c8e89756ca11e18e/SkewdDoor.Detail.01.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6313e3e94f94ade1a32f5b7f9f87a92b147a44423765337270124ba667024a67/SkewdDoor.Detail.02.jpg" data-mid="92452470" border="0" src="https://freight.cargo.site/w/1000/i/6313e3e94f94ade1a32f5b7f9f87a92b147a44423765337270124ba667024a67/SkewdDoor.Detail.02.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/5315e53f0aa7ea1cf3b39a869a49973b99028cd15dd73660965e3a2e883bd7eb/SkewdDoor.Detail.03.jpg" data-mid="92452471" border="0" src="https://freight.cargo.site/w/1000/i/5315e53f0aa7ea1cf3b39a869a49973b99028cd15dd73660965e3a2e883bd7eb/SkewdDoor.Detail.03.jpg" /> Amoeboidal DoorPainted MDF w/ brass peephole,&nbsp; 2020190 x 120 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6317ec67e6a53e70f3785d98bc35d41a297fb75029ed6208f44743cf7f8b3254/RedDoor.FullClose.jpg" data-mid="92225307" border="0" src="https://freight.cargo.site/w/1000/i/6317ec67e6a53e70f3785d98bc35d41a297fb75029ed6208f44743cf7f8b3254/RedDoor.FullClose.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/0dd7e99ffed6c5de25999b5705483c0766d7cd43ff4cd58cad724d9a95c1f8a3/RedDoor.Detail.01.jpg" data-mid="91678128" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/0dd7e99ffed6c5de25999b5705483c0766d7cd43ff4cd58cad724d9a95c1f8a3/RedDoor.Detail.01.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e1f12d88ae97d0dd0132413e82f664a42b796b0bbf628b8e7ca08cc4e67bf98f/RedDoor.Detail.02.jpg" data-mid="91678129" border="0" src="https://freight.cargo.site/w/1000/i/e1f12d88ae97d0dd0132413e82f664a42b796b0bbf628b8e7ca08cc4e67bf98f/RedDoor.Detail.02.jpg" /> Two Faced chair Stained &amp; oiled walnut hardwood w/ beeswax &amp; pigment, 201778 x 44 x 44 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/5dce9e3db3471be85d76bec633d1f2b70bc1c019da99b04fabf9095471f5b61b/DualChair.05.jpg" data-mid="92223236" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/5dce9e3db3471be85d76bec633d1f2b70bc1c019da99b04fabf9095471f5b61b/DualChair.05.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/c1b9b33ed565c123ce0ac07647f953b3e45c320703104aabf31c2b07d96f8e31/DualChair.Detail.01.jpg" data-mid="92453461" border="0" src="https://freight.cargo.site/w/1000/i/c1b9b33ed565c123ce0ac07647f953b3e45c320703104aabf31c2b07d96f8e31/DualChair.Detail.01.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7641797be225d6fe1398e16d2dfd8e8dbc372c0bb3895161c69d6cbe6cab925a/DualChair.Details.07.jpg" data-mid="92453516" border="0" src="https://freight.cargo.site/w/1000/i/7641797be225d6fe1398e16d2dfd8e8dbc372c0bb3895161c69d6cbe6cab925a/DualChair.Details.07.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/aed36e3e600456e9c50af4abce884c45dfc1922d69651bfa68f1ebb1f8741b3b/DualChair.Detail.02.jpg" data-mid="92453487" border="0" src="https://freight.cargo.site/w/1000/i/aed36e3e600456e9c50af4abce884c45dfc1922d69651bfa68f1ebb1f8741b3b/DualChair.Detail.02.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f7a21e0bfe96f6dde26d726c9c1c735e5bdbafa893f500ff0b75fa852ca67c46/DualChair.Details.04.jpg" data-mid="92453509" border="0" src="https://freight.cargo.site/w/1000/i/f7a21e0bfe96f6dde26d726c9c1c735e5bdbafa893f500ff0b75fa852ca67c46/DualChair.Details.04.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6ec2c2f16143d7efc38316b2128f6365e449097c1111ea06e1330fa082da2806/DualChair.Details.06.jpg" data-mid="92453514" border="0" src="https://freight.cargo.site/w/1000/i/6ec2c2f16143d7efc38316b2128f6365e449097c1111ea06e1330fa082da2806/DualChair.Details.06.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/92a7626dd9ec4abae46cfd4a841151097160025e0a21963c77fbd34561242a27/DualChair.Details.05.jpg" data-mid="92453512" border="0" src="https://freight.cargo.site/w/1000/i/92a7626dd9ec4abae46cfd4a841151097160025e0a21963c77fbd34561242a27/DualChair.Details.05.jpg" /> Alcoholics Anonymous first editionsOil &amp; goldleaf on canvas, 2019120 x 100 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/91ba99c4d692c1d560624c0e6d07ab976ea6ba9bc85f9f2b1679d416d57324fb/Alcoholics.jpg" data-mid="92235150" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/91ba99c4d692c1d560624c0e6d07ab976ea6ba9bc85f9f2b1679d416d57324fb/Alcoholics.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e5417b2e68ee74cc33a56bdee2e9b9261cc0097c1f624f08bdf08776b60f1ede/Alcoholics.Detail.BR.jpg" data-mid="92453121" border="0" src="https://freight.cargo.site/w/1000/i/e5417b2e68ee74cc33a56bdee2e9b9261cc0097c1f624f08bdf08776b60f1ede/Alcoholics.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/eb537b207a09f3165b3b157ac1249ae4ebb441ed58278e73b7c374ccd5d6ba02/Alcoholics.Details.TL.jpg" data-mid="92453128" border="0" src="https://freight.cargo.site/w/1000/i/eb537b207a09f3165b3b157ac1249ae4ebb441ed58278e73b7c374ccd5d6ba02/Alcoholics.Details.TL.jpg" /> House of Nomadic WallsBespoke carpet from hand tufted wool, 2016300 x 220 cm <img width="3579" height="5368" width_o="3579" height_o="5368" data-src="https://freight.cargo.site/t/original/i/ed76d0d8d2ea44b9618c8003531d66a1fd9096fe023553c447b3968923f46114/Carpet_cutout-copy.jpg" data-mid="92229398" border="0" src="https://freight.cargo.site/w/1000/i/ed76d0d8d2ea44b9618c8003531d66a1fd9096fe023553c447b3968923f46114/Carpet_cutout-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/88c52d31c6ff4e78ef5f2c16c40a9d8464a1b040b4679867b996d8bb398fec71/Carpet_detail_MG_4576.jpg" data-mid="103231463" border="0" src="https://freight.cargo.site/w/1000/i/88c52d31c6ff4e78ef5f2c16c40a9d8464a1b040b4679867b996d8bb398fec71/Carpet_detail_MG_4576.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/bb8db0f5aec9237222ac1770f1a86928ed2def32cfdd229cb24cfb784f45cab2/Carpet_detail_MG_4575.jpg" data-mid="103231462" border="0" src="https://freight.cargo.site/w/1000/i/bb8db0f5aec9237222ac1770f1a86928ed2def32cfdd229cb24cfb784f45cab2/Carpet_detail_MG_4575.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/3a4d3bd233dcde9cbb7686f7b5c7b02cfe61208763bc3032b6bbf13bfd670ffa/Carpet_detail_MG_4574.jpg" data-mid="103231461" border="0" src="https://freight.cargo.site/w/1000/i/3a4d3bd233dcde9cbb7686f7b5c7b02cfe61208763bc3032b6bbf13bfd670ffa/Carpet_detail_MG_4574.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/ad920c0aea4d9b13ea2aa4112507f0b6941a72a9dafb5d5f275850a28f0736c4/Carpet_detail_MG_4573.jpg" data-mid="103231460" border="0" src="https://freight.cargo.site/w/1000/i/ad920c0aea4d9b13ea2aa4112507f0b6941a72a9dafb5d5f275850a28f0736c4/Carpet_detail_MG_4573.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/95421b5de6ffda521b653a10817cdacb2216ef18ec0938b85547ff91e067b9fb/Carpet_detail_MG_4563.jpg" data-mid="103231458" border="0" src="https://freight.cargo.site/w/1000/i/95421b5de6ffda521b653a10817cdacb2216ef18ec0938b85547ff91e067b9fb/Carpet_detail_MG_4563.jpg" /> <img width="5000" height="3337" width_o="5000" height_o="3337" data-src="https://freight.cargo.site/t/original/i/5747108ef65caa9434cee6b4d5aa4030046acedd76ae5b513f6581373e2e9d3a/apass-landings-80-copy.jpg" data-mid="103231457" border="0" src="https://freight.cargo.site/w/1000/i/5747108ef65caa9434cee6b4d5aa4030046acedd76ae5b513f6581373e2e9d3a/apass-landings-80-copy.jpg" /> Psycho first editionsOil on canvas, 2019120 x 70 cm <img width="2688" height="4032" width_o="2688" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f8dfa91ab0f33ca26fd864b77f167c870476f38e3cedaf298a5e21291b3df11b/Psycho.jpg" data-mid="92217272" border="0" src="https://freight.cargo.site/w/1000/i/f8dfa91ab0f33ca26fd864b77f167c870476f38e3cedaf298a5e21291b3df11b/Psycho.jpg" /> <img width="2451" height="3677" width_o="2451" height_o="3677" data-src="https://freight.cargo.site/t/original/i/753e8edd281703097da5c83cba075dd7b98dd1846dc6a48f6039e2782c22a1ed/Psycho_detail_BL.jpg" data-mid="92453170" border="0" src="https://freight.cargo.site/w/1000/i/753e8edd281703097da5c83cba075dd7b98dd1846dc6a48f6039e2782c22a1ed/Psycho_detail_BL.jpg" /> <img width="2688" height="4032" width_o="2688" height_o="4032" data-src="https://freight.cargo.site/t/original/i/cdf5cc3e58cac5a1ab6a318f2b59036c9206ff7b1d6e6f1925113085629fb128/Psycho_detail_TL.jpg" data-mid="92453197" border="0" src="https://freight.cargo.site/w/1000/i/cdf5cc3e58cac5a1ab6a318f2b59036c9206ff7b1d6e6f1925113085629fb128/Psycho_detail_TL.jpg" /> <img width="1921" height="2671" width_o="1921" height_o="2671" data-src="https://freight.cargo.site/t/original/i/8fcce9577dda11f8c408d8d3f89d8c545b893eebc0dd7442efd8118603878677/Psycho_detail_SOLD.JPG" data-mid="92453188" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/8fcce9577dda11f8c408d8d3f89d8c545b893eebc0dd7442efd8118603878677/Psycho_detail_SOLD.JPG" /> <img width="2499" height="3750" width_o="2499" height_o="3750" data-src="https://freight.cargo.site/t/original/i/41980d9b24fdd81f2310a39b849da3baf8b618a2637bfb56f579075934dd6b30/Psycho_detail_BR.jpg" data-mid="92453174" border="0" src="https://freight.cargo.site/w/1000/i/41980d9b24fdd81f2310a39b849da3baf8b618a2637bfb56f579075934dd6b30/Psycho_detail_BR.jpg" /> Burning PalmsAct of GodOil on canvas, 2020200 x 160 cm <img width="1890" height="1260" width_o="1890" height_o="1260" data-src="https://freight.cargo.site/t/original/i/6aed13294732760893515de4f4bb71490e494e6f249eaac48af89d26c962b570/ActOfGod_BurningPalms.Landscape-copy.jpg" data-mid="92234806" border="0" src="https://freight.cargo.site/w/1000/i/6aed13294732760893515de4f4bb71490e494e6f249eaac48af89d26c962b570/ActOfGod_BurningPalms.Landscape-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/7d618d5c601bffe30096595613a9337c813dbcd89d18a31a434c77a57189fdfb/ActOfGod_BurningPalms_Landscape_Detail_BR.jpg" data-mid="100749457" border="0" src="https://freight.cargo.site/w/1000/i/7d618d5c601bffe30096595613a9337c813dbcd89d18a31a434c77a57189fdfb/ActOfGod_BurningPalms_Landscape_Detail_BR.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/7b042d3ebc35268d84278a3b0aeaf60619471911e284b21d657bb2a8f2c0e730/ActOfGod_BurningPalms_Landscape_Details_TR.jpg" data-mid="100749851" border="0" src="https://freight.cargo.site/w/1000/i/7b042d3ebc35268d84278a3b0aeaf60619471911e284b21d657bb2a8f2c0e730/ActOfGod_BurningPalms_Landscape_Details_TR.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/106f28331a14eb430c89d3c24cb5125785bed35de5370e4ddc5dd7a45476613e/ActOfGod_BurningPalms_Landscape_Detail_TL.jpg" data-mid="100749849" border="0" src="https://freight.cargo.site/w/1000/i/106f28331a14eb430c89d3c24cb5125785bed35de5370e4ddc5dd7a45476613e/ActOfGod_BurningPalms_Landscape_Detail_TL.jpg" /> A Brief History first editionsOil on canvas, 2018120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/2bf354ecd84e57e430ba7501258a312cabeaba6881012f998b0db7089ef2f781/ABriefHistory.jpg" data-mid="91677648" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/2bf354ecd84e57e430ba7501258a312cabeaba6881012f998b0db7089ef2f781/ABriefHistory.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/75e19d478355fb490575e8be9e435196a19039d16ef925baaca4b8064d5181f3/ABriefHistory.Detail.TL.jpg" data-mid="92218624" border="0" src="https://freight.cargo.site/w/1000/i/75e19d478355fb490575e8be9e435196a19039d16ef925baaca4b8064d5181f3/ABriefHistory.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6ec9b62c9d3a0589618db5095ea85a0c401e8bd59ca9fa946a61676d06097574/ABriefHistory.Detail.TR.jpg" data-mid="92218625" border="0" src="https://freight.cargo.site/w/1000/i/6ec9b62c9d3a0589618db5095ea85a0c401e8bd59ca9fa946a61676d06097574/ABriefHistory.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/147c7acb9e73fa068f80f0afa592408af249b2c8f3816877823079df98124d66/ABriefHistory.Detail.BL.jpg" data-mid="92218622" border="0" src="https://freight.cargo.site/w/1000/i/147c7acb9e73fa068f80f0afa592408af249b2c8f3816877823079df98124d66/ABriefHistory.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/9e7f8770a054990a5ad161bf6a39166b336cd07bd366b193d78ee2f15aa33f35/ABriefHistory.Detail.BR.jpg" data-mid="92218623" border="0" src="https://freight.cargo.site/w/1000/i/9e7f8770a054990a5ad161bf6a39166b336cd07bd366b193d78ee2f15aa33f35/ABriefHistory.Detail.BR.jpg" /> I’m DeadOil on canvas, 2018120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/a435b863dbc6c74a25c59556c3cf546802679b224546fe5ca419156e7738e807/ImDead.jpg" data-mid="92447850" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/a435b863dbc6c74a25c59556c3cf546802679b224546fe5ca419156e7738e807/ImDead.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/857ee581123765c12dfe41b42bc5bce14ce857a2a0f71bfbb667ae140cd42fa7/ImDead.Detail.BL.jpg" data-mid="92453814" border="0" src="https://freight.cargo.site/w/1000/i/857ee581123765c12dfe41b42bc5bce14ce857a2a0f71bfbb667ae140cd42fa7/ImDead.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f59114ed3cc06bea7ac06c6646a1e703cc746380bcf46ad69d0c296e0e491304/ImDead.DEtail.BR.jpg" data-mid="92453816" border="0" src="https://freight.cargo.site/w/1000/i/f59114ed3cc06bea7ac06c6646a1e703cc746380bcf46ad69d0c296e0e491304/ImDead.DEtail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/d1a99ecb15d1512a84df2849362b20dfdba026a1bb44f83620a4e342d16836d8/ImDead.Detail.TL.jpg" data-mid="92453817" border="0" src="https://freight.cargo.site/w/1000/i/d1a99ecb15d1512a84df2849362b20dfdba026a1bb44f83620a4e342d16836d8/ImDead.Detail.TL.jpg" /> Words in Paint first editionsOil on canvas, 2019120 x 70 cm <img width="3541" height="5311" width_o="3541" height_o="5311" data-src="https://freight.cargo.site/t/original/i/15616d06360cfb4741911d3cc5856bbb36b191618ecd5332a62bf042cb40b3f4/WordsInPaint.jpg" data-mid="100747671" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/15616d06360cfb4741911d3cc5856bbb36b191618ecd5332a62bf042cb40b3f4/WordsInPaint.jpg" /> <img width="3652" height="5479" width_o="3652" height_o="5479" data-src="https://freight.cargo.site/t/original/i/7881858ea239ff4c433835d7029218a27e60012e5394d94ee04b161f326c734e/WordsInPaint.Detail.TR.jpg" data-mid="100747669" border="0" src="https://freight.cargo.site/w/1000/i/7881858ea239ff4c433835d7029218a27e60012e5394d94ee04b161f326c734e/WordsInPaint.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/61779913ae8674af69ef2229199a9d0d8b6083bc15148bd87d2de46c519a2cfc/WordsInPaint.Detail.BR.jpg" data-mid="92453979" border="0" src="https://freight.cargo.site/w/1000/i/61779913ae8674af69ef2229199a9d0d8b6083bc15148bd87d2de46c519a2cfc/WordsInPaint.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/34ec518b8dff664fc5602f0d8f67ab47dd0c310e71bcc94052c65f8050301095/WordsInPaint.Detail.TL.jpg" data-mid="92453980" border="0" src="https://freight.cargo.site/w/1000/i/34ec518b8dff664fc5602f0d8f67ab47dd0c310e71bcc94052c65f8050301095/WordsInPaint.Detail.TL.jpg" /> Volcanic Lightning Act of GodOil on canvas, 2018180 x 140 cm <img width="1890" height="1260" width_o="1890" height_o="1260" data-src="https://freight.cargo.site/t/original/i/2fe76293d954c912415f8f62e437f5e2bf96487d1f0e969b80864832bd3f990f/ActOfGod_VolcanicLightning_Landscape-copy.jpg" data-mid="92448366" border="0" src="https://freight.cargo.site/w/1000/i/2fe76293d954c912415f8f62e437f5e2bf96487d1f0e969b80864832bd3f990f/ActOfGod_VolcanicLightning_Landscape-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/4f0a2984a2320768715c0d8d222ecc799d5f5214e24f0dc1e8a2f6576519f269/ActOfGod.VolcanicLightning.Detail.Landscape.TR.jpg" data-mid="92454041" border="0" src="https://freight.cargo.site/w/1000/i/4f0a2984a2320768715c0d8d222ecc799d5f5214e24f0dc1e8a2f6576519f269/ActOfGod.VolcanicLightning.Detail.Landscape.TR.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/8a47661502250a3cf13004095d9f0dd658dba0b09989d62088c539c87dd498c4/ActOfGod.VolcanicLightning.Detail.Landscape.BR.jpg" data-mid="92454038" border="0" src="https://freight.cargo.site/w/1000/i/8a47661502250a3cf13004095d9f0dd658dba0b09989d62088c539c87dd498c4/ActOfGod.VolcanicLightning.Detail.Landscape.BR.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6a0c4b71480f8a0be436b5be7c60369111b8b6d23062bae8f6ac081a8580fdb0/ActOfGod.VolcanicLightning.Detail.Landscape.TL.jpg" data-mid="92454040" border="0" src="https://freight.cargo.site/w/1000/i/6a0c4b71480f8a0be436b5be7c60369111b8b6d23062bae8f6ac081a8580fdb0/ActOfGod.VolcanicLightning.Detail.Landscape.TL.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/a041d7902af9f57bba6080b599b02159066d67422a8c8283e3e39764d94c76ed/ActOfGod.VolcanicLightning.Detail.Landscape.BL.jpg" data-mid="92454037" border="0" src="https://freight.cargo.site/w/1000/i/a041d7902af9f57bba6080b599b02159066d67422a8c8283e3e39764d94c76ed/ActOfGod.VolcanicLightning.Detail.Landscape.BL.jpg" /> Portrait of Three Artists as a Young ManPhotomontage printed digitally on archival paper in bespoke frame, 201643 x 37 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6545be2a994f5b5f2cec8f916a410a6318cfa070f5ee4f7fb03401849caf3d4d/PortraitOfThreeArtistsAsAYoungMan.jpg" data-mid="92448375" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/6545be2a994f5b5f2cec8f916a410a6318cfa070f5ee4f7fb03401849caf3d4d/PortraitOfThreeArtistsAsAYoungMan.jpg" /> Einstein’s Relativity first editionsOil on canvas, 2018120 x 80 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/fbc2631f03b754a9a55cc74bed1082975b5492fb328302a89f1472a60754185e/Relativity.jpg" data-mid="92448403" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/fbc2631f03b754a9a55cc74bed1082975b5492fb328302a89f1472a60754185e/Relativity.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/131ebf91617b389748e4524d4ec595725e0b06b432e697e0ff42d8ac1c601ebb/Relativity.Detail.TR.2.jpg" data-mid="92454191" border="0" src="https://freight.cargo.site/w/1000/i/131ebf91617b389748e4524d4ec595725e0b06b432e697e0ff42d8ac1c601ebb/Relativity.Detail.TR.2.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/c5cf9ad53b12a81bde0d3538584f6a9a8f542e90a9bb312abe3bcba0616600d1/Relativity.Detail.TL.jpg" data-mid="92454190" border="0" src="https://freight.cargo.site/w/1000/i/c5cf9ad53b12a81bde0d3538584f6a9a8f542e90a9bb312abe3bcba0616600d1/Relativity.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/3d976a0b00bc44a7bd05c7bb0edff63a94144d60dabcf7544086e9b6d3d9889d/Relativity.Detail.jpg" data-mid="92454188" border="0" src="https://freight.cargo.site/w/1000/i/3d976a0b00bc44a7bd05c7bb0edff63a94144d60dabcf7544086e9b6d3d9889d/Relativity.Detail.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e5c8e69c4c6981148edf75e3fbf1458e31ee442d8acce29b78cb81a3125e434f/Relativity.Detail.BL.jpg" data-mid="92454187" border="0" src="https://freight.cargo.site/w/1000/i/e5c8e69c4c6981148edf75e3fbf1458e31ee442d8acce29b78cb81a3125e434f/Relativity.Detail.BL.jpg" /> Conceptual Art Gang Jacket liminted editionCustomized black Harrington bomber jacket with bespoke embroidered patches, four heat-pressed to back and a single hidden loose in the pocket , 2017 Dimensions variable&nbsp; <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6b0126a63f296bbc879a1ceffe62d9454521562b2748b46b0793670bf7be4e6b/DuchampJacket_landscape_01.jpg" data-mid="95801436" border="0" src="https://freight.cargo.site/w/1000/i/6b0126a63f296bbc879a1ceffe62d9454521562b2748b46b0793670bf7be4e6b/DuchampJacket_landscape_01.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/c9bf9384d3da6a9d848507e23ee6f7d81b831d9c7f9b35e929f4efcdd8ce534b/DuchampJacket_detail_landscape_01.jpg" data-mid="100748835" border="0" src="https://freight.cargo.site/w/1000/i/c9bf9384d3da6a9d848507e23ee6f7d81b831d9c7f9b35e929f4efcdd8ce534b/DuchampJacket_detail_landscape_01.jpg" /> Space is InfiniteOil on canvas, 2020200 x 150 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/0c316b20d2976815279d6f6e34832c21dcf4c5ac26cd65bf27a783fe1252b516/Space.jpg" data-mid="92448572" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/0c316b20d2976815279d6f6e34832c21dcf4c5ac26cd65bf27a783fe1252b516/Space.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e3a5999c31d030e897baa1a786133f6230f82c5679ea84939cc4c8734d62b3ec/Space.Detail.TL.jpg" data-mid="92454215" border="0" src="https://freight.cargo.site/w/1000/i/e3a5999c31d030e897baa1a786133f6230f82c5679ea84939cc4c8734d62b3ec/Space.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/beeaa152ea488f1db700a14c22b088111957673a1cce34b692960a15e2b3f970/Space.Detail.TR.jpg" data-mid="92454217" border="0" src="https://freight.cargo.site/w/1000/i/beeaa152ea488f1db700a14c22b088111957673a1cce34b692960a15e2b3f970/Space.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/26dcf8c2e54c367fa0a92df4cd9cddb342e35ef4c1a20982ce6293ee1276e293/Space.Detail.BR.jpg" data-mid="92454214" border="0" src="https://freight.cargo.site/w/1000/i/26dcf8c2e54c367fa0a92df4cd9cddb342e35ef4c1a20982ce6293ee1276e293/Space.Detail.BR.jpg" /> Back Stabbing Muther FuhkerOil on canvas, 2018120x 100 cm <img width="5465" height="3643" width_o="5465" height_o="3643" data-src="https://freight.cargo.site/t/original/i/640396f7b8eb4a743aba93dff76e2f6dcd1851aecd16d97fb98a401eba6c411b/Backstabbing.Landscape.jpg" data-mid="92448801" border="0" src="https://freight.cargo.site/w/1000/i/640396f7b8eb4a743aba93dff76e2f6dcd1851aecd16d97fb98a401eba6c411b/Backstabbing.Landscape.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/34c3dd6e7eac7f6aec072ac93d31f5257f0e2eb4072a664bec04621b05707cb5/Backstabbing.Detail.TR.jpg" data-mid="92454394" border="0" src="https://freight.cargo.site/w/1000/i/34c3dd6e7eac7f6aec072ac93d31f5257f0e2eb4072a664bec04621b05707cb5/Backstabbing.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/39218afc7a7986041179448e91f807904f125dc7cdc647b0206cd023fe21fe4d/Backstabbing.Detail.TL.jpg" data-mid="92454392" border="0" src="https://freight.cargo.site/w/1000/i/39218afc7a7986041179448e91f807904f125dc7cdc647b0206cd023fe21fe4d/Backstabbing.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/33ac22a559e29ddf1d42c3386a10c58e00ec992edb2d282a7c412b9ad2fa421c/Backstabbing.Detail.BR.jpg" data-mid="92454391" border="0" src="https://freight.cargo.site/w/1000/i/33ac22a559e29ddf1d42c3386a10c58e00ec992edb2d282a7c412b9ad2fa421c/Backstabbing.Detail.BR.jpg" /> Catwoman Transformersairbrush acrylic on digitally printed canvas, 2018120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/d1695103ef35a3e29ea44e3943a8dd73df673a04211d840bcddc8f73dcf2e534/Transformer.Catwomen.jpg" data-mid="92448805" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/d1695103ef35a3e29ea44e3943a8dd73df673a04211d840bcddc8f73dcf2e534/Transformer.Catwomen.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/376ff26bab6ba049ae3e7263f4f21cdcae61c5fd42be31defe732fe74abf74bd/Transformer.Catwoman.Detail.TR.jpg" data-mid="92454417" border="0" src="https://freight.cargo.site/w/1000/i/376ff26bab6ba049ae3e7263f4f21cdcae61c5fd42be31defe732fe74abf74bd/Transformer.Catwoman.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6ed7acddae55353ff74a0f073939aef431247d582b4763a7d0007c6c1bfc5ca0/Transformer.Catwoman.Detail.TL.jpg" data-mid="92454416" border="0" src="https://freight.cargo.site/w/1000/i/6ed7acddae55353ff74a0f073939aef431247d582b4763a7d0007c6c1bfc5ca0/Transformer.Catwoman.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7fc3f0efac5ffb650d7f15c3cfec85069542d9626870afb3105f4ffb4e9d34a0/Transformer.Catwoman.Detail.BR.jpg" data-mid="92454415" border="0" src="https://freight.cargo.site/w/1000/i/7fc3f0efac5ffb650d7f15c3cfec85069542d9626870afb3105f4ffb4e9d34a0/Transformer.Catwoman.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/ff574825d9d151fb153789b8ea0845d3075743384d930a472b5347910b1774a4/Transformer.Catwoman.Detail.BL.jpg" data-mid="92454414" border="0" src="https://freight.cargo.site/w/1000/i/ff574825d9d151fb153789b8ea0845d3075743384d930a472b5347910b1774a4/Transformer.Catwoman.Detail.BL.jpg" /> Las Vegas Desert Storm Act of GodOil on canvas, 2018140 x&nbsp; 120 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/594de44bba7106ea5650fc2ed1ff70c621a4c39c684a00733603399da0128e16/ActOfGod.LasVegas.jpg" data-mid="92448816" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/594de44bba7106ea5650fc2ed1ff70c621a4c39c684a00733603399da0128e16/ActOfGod.LasVegas.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f8e7858ddf889d9bf58074411727826ed224148041de156f7d2f93cf0ff14d8e/ActOfGod.LasVegas.Detail.TR.jpg" data-mid="92454443" border="0" src="https://freight.cargo.site/w/1000/i/f8e7858ddf889d9bf58074411727826ed224148041de156f7d2f93cf0ff14d8e/ActOfGod.LasVegas.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/e26ef56e504ae76b9dff54ecf892ae952617606e2578b51b1a4b05bac5882a34/ActOfGod.LasVegas.Detail.TL.jpg" data-mid="92454442" border="0" src="https://freight.cargo.site/w/1000/i/e26ef56e504ae76b9dff54ecf892ae952617606e2578b51b1a4b05bac5882a34/ActOfGod.LasVegas.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/9497268fbbf3c9659381b922b4562b8e307776599339e64618b99e828fcbaff5/ActOfGod.LasVegas.Detail.BR.jpg" data-mid="92454441" border="0" src="https://freight.cargo.site/w/1000/i/9497268fbbf3c9659381b922b4562b8e307776599339e64618b99e828fcbaff5/ActOfGod.LasVegas.Detail.BR.jpg" /> Wolf Man Transformersairbrush acrylic on digitally printed canvass, 2018120 x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/eb28cbf08ff67bac7e2eb3b3bf3532f8c516476aefdd796996094999459fa102/Transformer.Wolfman.jpg" data-mid="92448856" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/eb28cbf08ff67bac7e2eb3b3bf3532f8c516476aefdd796996094999459fa102/Transformer.Wolfman.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/000bfd491e5097ddfcf228ce02837c758ed6d6f31adea60dec715e61330acb74/Transformer.Wolfman.Detail.TR.jpg" data-mid="92454468" border="0" src="https://freight.cargo.site/w/1000/i/000bfd491e5097ddfcf228ce02837c758ed6d6f31adea60dec715e61330acb74/Transformer.Wolfman.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/d65bd4aaad86c7a46dbcbaff1a92ee3c06f92e086032c64f79329411652838f2/Transformer.Wolfman.Detail.TL.jpg" data-mid="92454467" border="0" src="https://freight.cargo.site/w/1000/i/d65bd4aaad86c7a46dbcbaff1a92ee3c06f92e086032c64f79329411652838f2/Transformer.Wolfman.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/6db186ded5dc05995ea7c3eda9bf2e6010db598f57242be59c845e0b14e5dcb7/Transformer.Wolfman.Detail.BR.jpg" data-mid="92454466" border="0" src="https://freight.cargo.site/w/1000/i/6db186ded5dc05995ea7c3eda9bf2e6010db598f57242be59c845e0b14e5dcb7/Transformer.Wolfman.Detail.BR.jpg" /> Found Portrait of the ArtistPhotomontage printed digitally on archival paper in bespoke frame, 201700 x 00 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7ac37b1b05d9fd5200259e32b367679528a5aa22b4306a491292b7aeb5479e59/FoundPortraitOfTheArtist.jpg" data-mid="92448964" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/7ac37b1b05d9fd5200259e32b367679528a5aa22b4306a491292b7aeb5479e59/FoundPortraitOfTheArtist.jpg" /> Fate of Homo Sapiens first editionsOil on canvas, 2019120 x 80 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/2f92a3612f69a9c1eb5e50dba0ac8f62d36d11b9f65bd094b502504bc415c5d0/FateOfHomoSapiens.jpg" data-mid="92454595" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/2f92a3612f69a9c1eb5e50dba0ac8f62d36d11b9f65bd094b502504bc415c5d0/FateOfHomoSapiens.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/9449163d1fd71849ccb3ad7ee8d94b84915f7e039e93cb0fdddd843dca6a12c6/FateOfHomoSapiens.Detail.TL.jpg" data-mid="92454589" border="0" src="https://freight.cargo.site/w/1000/i/9449163d1fd71849ccb3ad7ee8d94b84915f7e039e93cb0fdddd843dca6a12c6/FateOfHomoSapiens.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f3cefee7325a080687d63d66570d0725936f93282591db78252b2daa13e2cc6c/FateofHomoSapiens.Detail.BR.jpg" data-mid="92454605" border="0" src="https://freight.cargo.site/w/1000/i/f3cefee7325a080687d63d66570d0725936f93282591db78252b2daa13e2cc6c/FateofHomoSapiens.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/ff950d8f9596e7d49f3f17375ae3f656e3179a5fdaca4adb31250663ca30f90f/FateOfHomoSapiens.Detail.TR.jpg" data-mid="92454606" border="0" src="https://freight.cargo.site/w/1000/i/ff950d8f9596e7d49f3f17375ae3f656e3179a5fdaca4adb31250663ca30f90f/FateOfHomoSapiens.Detail.TR.jpg" /> Mr. Hyde Transformersairbrush acrylic on digitally printed canvas, 2018110x 90 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f2224ae5a1923e5c3eb15d4c7835f688b7f90c3da3b53372f5de7c5556830565/Transformer.MrHyde.jpg" data-mid="92448969" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/f2224ae5a1923e5c3eb15d4c7835f688b7f90c3da3b53372f5de7c5556830565/Transformer.MrHyde.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/db3e258f84d24d4c8d916b68c87d9265c568a733cc01f059fdc7c4ba20e02551/Transformer.MrHyde.Detail.TR.jpg" data-mid="92454481" border="0" src="https://freight.cargo.site/w/1000/i/db3e258f84d24d4c8d916b68c87d9265c568a733cc01f059fdc7c4ba20e02551/Transformer.MrHyde.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/a3a981a76af8e0a2cc9fa138df97a5c14a6ef24f3ef1d689a8b02cdc2e438660/Transformer.MrHyde.Detail.TL.jpg" data-mid="92454480" border="0" src="https://freight.cargo.site/w/1000/i/a3a981a76af8e0a2cc9fa138df97a5c14a6ef24f3ef1d689a8b02cdc2e438660/Transformer.MrHyde.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/340a4fddb2dba1fbc5b7eedc340aedaa7ce02386b32c4488a0478301f99cea4a/Transformer.MrHyde.Detail.BR.jpg" data-mid="92454479" border="0" src="https://freight.cargo.site/w/1000/i/340a4fddb2dba1fbc5b7eedc340aedaa7ce02386b32c4488a0478301f99cea4a/Transformer.MrHyde.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/77a0855ab18aead9035f0466dccbe5d0d0a47894cf6017d048ec5038b6712d53/Transformer.MrHyde.Detail.BL.jpg" data-mid="92454478" border="0" src="https://freight.cargo.site/w/1000/i/77a0855ab18aead9035f0466dccbe5d0d0a47894cf6017d048ec5038b6712d53/Transformer.MrHyde.Detail.BL.jpg" /> We All Wear Two FacesOil on canvas, 2018120x 100 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/8d7ace4ce1b6a7660e742c87b5b8e81c1a9c1b082c9f734f0860ed75af231f78/WeAllWearTwoFaces.WhatCountsIsWhat-TheyMask.jpg" data-mid="92449006" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/8d7ace4ce1b6a7660e742c87b5b8e81c1a9c1b082c9f734f0860ed75af231f78/WeAllWearTwoFaces.WhatCountsIsWhat-TheyMask.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/38d39666b254a14b866d726e15e062e13d87b89243be75ac16093765d1038e19/WeAllWearTwoFaces.Detail.TR.jpg" data-mid="92454491" border="0" src="https://freight.cargo.site/w/1000/i/38d39666b254a14b866d726e15e062e13d87b89243be75ac16093765d1038e19/WeAllWearTwoFaces.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/f61485ef5901741553e302d03308600993df260b20f7271617af98318b4a85e3/WeAllWearTwoFaces.Detail.TL.jpg" data-mid="92454490" border="0" src="https://freight.cargo.site/w/1000/i/f61485ef5901741553e302d03308600993df260b20f7271617af98318b4a85e3/WeAllWearTwoFaces.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/0d1dd2e61ed7a46e33e19060c29d5b7df88717df2c0cdfbc69dcd6003c66788f/WeAllWearTwoFaces.Detail.BR.jpg" data-mid="92454489" border="0" src="https://freight.cargo.site/w/1000/i/0d1dd2e61ed7a46e33e19060c29d5b7df88717df2c0cdfbc69dcd6003c66788f/WeAllWearTwoFaces.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/3887489e4029dfc44edd094553d3185bddbf7d87e5069cec65774770f27f4060/WeAllWearTwoFaces.Deatil.BL.jpg" data-mid="92454488" border="0" src="https://freight.cargo.site/w/1000/i/3887489e4029dfc44edd094553d3185bddbf7d87e5069cec65774770f27f4060/WeAllWearTwoFaces.Deatil.BL.jpg" /> Music TelevisionOil on canvas, 2018160 x 120 cm <img width="5368" height="3578" width_o="5368" height_o="3578" data-src="https://freight.cargo.site/t/original/i/1a3b3e1ec85bbdabc21c9c7773cf995ebb3a7d0437b8aaeb9d2d7d5db1c0ebb0/MusicTelevision.Landscape.jpg" data-mid="92449020" border="0" src="https://freight.cargo.site/w/1000/i/1a3b3e1ec85bbdabc21c9c7773cf995ebb3a7d0437b8aaeb9d2d7d5db1c0ebb0/MusicTelevision.Landscape.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/4887651d1670460decdaae840b91ae6b1a98490cb8d4ed1e1fcfcdf18a2d27c7/MusicTelevision.Detail.TR.jpg" data-mid="92454510" border="0" src="https://freight.cargo.site/w/1000/i/4887651d1670460decdaae840b91ae6b1a98490cb8d4ed1e1fcfcdf18a2d27c7/MusicTelevision.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/b85fa514193d22ce735ce1e5a3359c8f0ce9c67564e193f7565c1e8a32dd2cf1/MusicTelevision.Detail.TL.jpg" data-mid="92454509" border="0" src="https://freight.cargo.site/w/1000/i/b85fa514193d22ce735ce1e5a3359c8f0ce9c67564e193f7565c1e8a32dd2cf1/MusicTelevision.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/5d30da66a9202889eb6a60dd447e8c668903746d70e7c1e777b08baaf02ad8e7/MusicTelevision.Detail.BR.jpg" data-mid="92454508" border="0" src="https://freight.cargo.site/w/1000/i/5d30da66a9202889eb6a60dd447e8c668903746d70e7c1e777b08baaf02ad8e7/MusicTelevision.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/fe07446c06ee95feb4d84b5194d0b7aed7cd68c297cd38415dec76d1a7d87494/Musictelevision.Detail.BL.jpg" data-mid="92454507" border="0" src="https://freight.cargo.site/w/1000/i/fe07446c06ee95feb4d84b5194d0b7aed7cd68c297cd38415dec76d1a7d87494/Musictelevision.Detail.BL.jpg" /> What’s Happening to MeOil on canvas, 2018120 x 90 cm <img width="3242" height="4863" width_o="3242" height_o="4863" data-src="https://freight.cargo.site/t/original/i/e0de6040a00e5d7b41c0bd1a33ef38ca349f5595cc1e3960e6ebcdfca5835fc9/WhatsHappeningToMe.jpg" data-mid="94279465" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/e0de6040a00e5d7b41c0bd1a33ef38ca349f5595cc1e3960e6ebcdfca5835fc9/WhatsHappeningToMe.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/803648797079f047d5d003d84c48f93374113f9bb0bb60c78fc53af0ce33b7e0/WhatsHappeningToMe.Detail.BR.jpg" data-mid="96506690" border="0" src="https://freight.cargo.site/w/1000/i/803648797079f047d5d003d84c48f93374113f9bb0bb60c78fc53af0ce33b7e0/WhatsHappeningToMe.Detail.BR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7ee02a3888aa578930ade8d35b33608147eeb0db69caa478efabf1bfdb1c95e1/WhatsHappeningToMe.Detail.TL.jpg" data-mid="96506691" border="0" src="https://freight.cargo.site/w/1000/i/7ee02a3888aa578930ade8d35b33608147eeb0db69caa478efabf1bfdb1c95e1/WhatsHappeningToMe.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/83ddf506059c60c1fb3c62952c761710bace997ffae82231fe26322787535e07/WhatsHappeningToMe.Detail.BL.jpg" data-mid="96506689" border="0" src="https://freight.cargo.site/w/1000/i/83ddf506059c60c1fb3c62952c761710bace997ffae82231fe26322787535e07/WhatsHappeningToMe.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7e3c6d0f7b273ac17b05f2ed18fbccd55918ec192c7ed8ad72c76bda24082d6d/WhatsHappeningToMe.Detail.TR.jpg" data-mid="96506692" border="0" src="https://freight.cargo.site/w/1000/i/7e3c6d0f7b273ac17b05f2ed18fbccd55918ec192c7ed8ad72c76bda24082d6d/WhatsHappeningToMe.Detail.TR.jpg" /> Rosa SpülmittelOil on canvas, 2018120 x 80 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/35c1a11ea945a856e6d239e8f70195c17351e1634a18cc582a17cbd6d021d2a3/Spulmittel.jpg" data-mid="92449196" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/35c1a11ea945a856e6d239e8f70195c17351e1634a18cc582a17cbd6d021d2a3/Spulmittel.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/015c4caba937570abf73ab94d034cbe51a01eab200d7dfe2acb41e9b31f1fee8/Spulmittel.Detail.TR.jpg" data-mid="92454808" border="0" src="https://freight.cargo.site/w/1000/i/015c4caba937570abf73ab94d034cbe51a01eab200d7dfe2acb41e9b31f1fee8/Spulmittel.Detail.TR.jpg" /> <img width="3551" height="5326" width_o="3551" height_o="5326" data-src="https://freight.cargo.site/t/original/i/904cbb86aa16ad41642fad99455ce38a85f676a4606cdbbc9970c7b30331f819/Spulmittel.Detail.BL.jpg" data-mid="100748031" border="0" src="https://freight.cargo.site/w/1000/i/904cbb86aa16ad41642fad99455ce38a85f676a4606cdbbc9970c7b30331f819/Spulmittel.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/b6a5d11fe60c4b76d9f3a9e227b04737240739e1722397d029696788fd735c26/Spulmittel.Detail.TL.jpg" data-mid="92454807" border="0" src="https://freight.cargo.site/w/1000/i/b6a5d11fe60c4b76d9f3a9e227b04737240739e1722397d029696788fd735c26/Spulmittel.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/cf2411a6955c052c231e34abdfea3c56623358a343a035cc92dbf134108b8d34/Spulmittel.Detail.BR.jpg" data-mid="92454806" border="0" src="https://freight.cargo.site/w/1000/i/cf2411a6955c052c231e34abdfea3c56623358a343a035cc92dbf134108b8d34/Spulmittel.Detail.BR.jpg" /> Foghorn LeghornOil on canvas, 2020120 x 100 cm <img width="3605" height="5408" width_o="3605" height_o="5408" data-src="https://freight.cargo.site/t/original/i/96272aa755a76a496c79a82eb1f4a5cdfa270e4075fcaf35f0dda19f73012d4c/FoghornLeghorn.jpg" data-mid="100748372" border="0" src="https://freight.cargo.site/w/1000/i/96272aa755a76a496c79a82eb1f4a5cdfa270e4075fcaf35f0dda19f73012d4c/FoghornLeghorn.jpg" /> <img width="3669" height="5503" width_o="3669" height_o="5503" data-src="https://freight.cargo.site/t/original/i/6c27bb1e8f5da04241abd4f923064077be002f1ec449166551ff33eb0a3b4fd2/FoghornLeghorn.Detail.TL.jpg" data-mid="100748477" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/6c27bb1e8f5da04241abd4f923064077be002f1ec449166551ff33eb0a3b4fd2/FoghornLeghorn.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/64fb76462c32cbca3528e5d81d721cb3907d01f91b0a50b4d81b99783e9e3d1f/FoghornLeghorn.Detail.BL.jpg" data-mid="92454936" border="0" src="https://freight.cargo.site/w/1000/i/64fb76462c32cbca3528e5d81d721cb3907d01f91b0a50b4d81b99783e9e3d1f/FoghornLeghorn.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7acac6c57b52d230d10dc9487dd52a9f5433154ddb1135cd80f9aed852026d40/ForhornLeghorn.Detail.TR.jpg" data-mid="92454939" border="0" src="https://freight.cargo.site/w/1000/i/7acac6c57b52d230d10dc9487dd52a9f5433154ddb1135cd80f9aed852026d40/ForhornLeghorn.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/82e1dc8bf24cabe1e88ea50d09dcc46cd88356ef286ee8eb9335cf7063dd097a/FoghornLeghorn.Detail.BR.jpg" data-mid="92454937" border="0" src="https://freight.cargo.site/w/1000/i/82e1dc8bf24cabe1e88ea50d09dcc46cd88356ef286ee8eb9335cf7063dd097a/FoghornLeghorn.Detail.BR.jpg" /> American Express (John Wayne)Oil on canvas, 2019120 x 80 cm <img width="5426" height="3617" width_o="5426" height_o="3617" data-src="https://freight.cargo.site/t/original/i/535d6b2cc21f4bf33a88d6f18ab6e18a227079c5bd9abda752201dfe90909164/AmericanExpress.landscape.jpg" data-mid="92449308" border="0" src="https://freight.cargo.site/w/1000/i/535d6b2cc21f4bf33a88d6f18ab6e18a227079c5bd9abda752201dfe90909164/AmericanExpress.landscape.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/a0d795dcd746fdc08ee3e3c8fb09636b081d87cb67d7b4e72aa78dfe6f7676dc/AmericanExpress.Detail.TR.jpg" data-mid="92455034" border="0" src="https://freight.cargo.site/w/1000/i/a0d795dcd746fdc08ee3e3c8fb09636b081d87cb67d7b4e72aa78dfe6f7676dc/AmericanExpress.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/480a8050146007d3061b11b636c4a0ca354cc979cf6cf117e495ab00895e52ab/AmericanExpress.Detail.TL.jpg" data-mid="92455033" border="0" src="https://freight.cargo.site/w/1000/i/480a8050146007d3061b11b636c4a0ca354cc979cf6cf117e495ab00895e52ab/AmericanExpress.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/afa0b46ee076fc5376eabea9237ec110277bdaddbdb54d3ccdd25f0df8e71d2b/AmericanExpress.Detail.BR.jpg" data-mid="92455031" border="0" src="https://freight.cargo.site/w/1000/i/afa0b46ee076fc5376eabea9237ec110277bdaddbdb54d3ccdd25f0df8e71d2b/AmericanExpress.Detail.BR.jpg" /> The Problem of AnxietyOil on canvas, 2019120 x 80 cm <img width="3578" height="5366" width_o="3578" height_o="5366" data-src="https://freight.cargo.site/t/original/i/aaed82941aa19784e286394d974f31bac0aa01c030fda2c0eee52ef507a5a900/ProblemOfAnxiety.jpg" data-mid="100748568" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/aaed82941aa19784e286394d974f31bac0aa01c030fda2c0eee52ef507a5a900/ProblemOfAnxiety.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/7697ae8aede1e50fa8b67be643dcb6cc4121d472e80bfb3cefba7ff13bbf194c/ProblemOfAnxiety.Detail.TR.jpg" data-mid="92454888" border="0" src="https://freight.cargo.site/w/1000/i/7697ae8aede1e50fa8b67be643dcb6cc4121d472e80bfb3cefba7ff13bbf194c/ProblemOfAnxiety.Detail.TR.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/0abdac84c99cda67ef732a91e2b877d2c9c699b9f9e1856c73dee1ead4e1432e/ProblemOfAnxiety.Detail.TL.jpg" data-mid="92454887" border="0" src="https://freight.cargo.site/w/1000/i/0abdac84c99cda67ef732a91e2b877d2c9c699b9f9e1856c73dee1ead4e1432e/ProblemOfAnxiety.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/14408b28dbce57be94a189eea9f4036fedb9be6d65679454316841d04e101cb7/ProbelmOfAnxiety.Detail.BL.jpg" data-mid="92454886" border="0" src="https://freight.cargo.site/w/1000/i/14408b28dbce57be94a189eea9f4036fedb9be6d65679454316841d04e101cb7/ProbelmOfAnxiety.Detail.BL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/b21e1b895686db7afbe4ac8a3b80c79a6442349d1994cdf27b23e407d042daee/ProbelmOfAnxeity.Detail.BR.jpg" data-mid="92454885" border="0" src="https://freight.cargo.site/w/1000/i/b21e1b895686db7afbe4ac8a3b80c79a6442349d1994cdf27b23e407d042daee/ProbelmOfAnxeity.Detail.BR.jpg" /> Fanta GreenOil on canvas, 2020120 x 80 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/efe9359b18f8752ae4994d0e1c390a8248a031559aa83a9a89424ebbe1181cad/Fanta.jpg" data-mid="92449330" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/efe9359b18f8752ae4994d0e1c390a8248a031559aa83a9a89424ebbe1181cad/Fanta.jpg" /> <img width="3655" height="5482" width_o="3655" height_o="5482" data-src="https://freight.cargo.site/t/original/i/337ce22eae62a8ecab922f9e472a9e8901c571c8bd5d43ab74b59605f4c669b3/fanta.detail.TR.jpg" data-mid="100748608" border="0" src="https://freight.cargo.site/w/1000/i/337ce22eae62a8ecab922f9e472a9e8901c571c8bd5d43ab74b59605f4c669b3/fanta.detail.TR.jpg" /> <img width="3629" height="5443" width_o="3629" height_o="5443" data-src="https://freight.cargo.site/t/original/i/30cf5880354823c8800780e35052204418e59a6b1dfb4cef118a3cb89ec0faf1/Fanta.Detail.TL.jpg" data-mid="100748607" border="0" src="https://freight.cargo.site/w/1000/i/30cf5880354823c8800780e35052204418e59a6b1dfb4cef118a3cb89ec0faf1/Fanta.Detail.TL.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/acb8367aa0d0e704b6fe07fd1b4ea9b8fff7014890aa3ab59ad3ea8512a4e2de/Fanta.detail.BR.jpg" data-mid="92455123" border="0" src="https://freight.cargo.site/w/1000/i/acb8367aa0d0e704b6fe07fd1b4ea9b8fff7014890aa3ab59ad3ea8512a4e2de/Fanta.detail.BR.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103227992" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" />All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Projects Wed, 09 Dec 2020 09:50:55 +0000 Brendan Michal Heshka https://brendanheshka.com/Projects Projects Stoned Apes &amp; Magic Cups Multimedium, 2019 - ongoing Artistic research in theory and practice surrounding the myth of the “Holy Grail” and its alchemic material production. ︎︎︎ Read more <img width="5487" height="3658" width_o="5487" height_o="3658" data-src="https://freight.cargo.site/t/original/i/5f6314668fdc36303e7c1322c70c48d5317219acad3bab61c20ba652bc6b7a83/Beakers.wMushrooms.landscape.03.jpg" data-mid="91683865" border="0" src="https://freight.cargo.site/w/1000/i/5f6314668fdc36303e7c1322c70c48d5317219acad3bab61c20ba652bc6b7a83/Beakers.wMushrooms.landscape.03.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/bf8b23700d2ddd56ca5b6ae5ce9b46f34d940e0322f84ccc25f3e654d8560082/ClassicHolyGrail_detail_landscape_03.jpg" data-mid="100751026" border="0" src="https://freight.cargo.site/w/1000/i/bf8b23700d2ddd56ca5b6ae5ce9b46f34d940e0322f84ccc25f3e654d8560082/ClassicHolyGrail_detail_landscape_03.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/bb0bbe08eb9d37eada6448824202bccf214ff2cb65406b2a7f5f5528fec8e272/EstruscanVessel_wCloth_landscape_02.jpg" data-mid="100752099" border="0" src="https://freight.cargo.site/w/1000/i/bb0bbe08eb9d37eada6448824202bccf214ff2cb65406b2a7f5f5528fec8e272/EstruscanVessel_wCloth_landscape_02.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/1cd10d55e2f3cca66599ee4d6df3de78a0c073fe9418fbe3cd4d26944031970d/IMG_4507.jpg" data-mid="100752079" border="0" src="https://freight.cargo.site/w/1000/i/1cd10d55e2f3cca66599ee4d6df3de78a0c073fe9418fbe3cd4d26944031970d/IMG_4507.jpg" /> The Dead are Always High Multimedium, 2015 - open endendAn investigative work centerd around attempts at opening portals of communication with influential artists and thinkers who are now deceased.︎︎︎ Read more <img width="3697" height="2079" width_o="3697" height_o="2079" data-src="https://freight.cargo.site/t/original/i/24381216a903588e841ed85f9262c0558808a5d5f8f37c045a772054978f5457/TheDeadareAlwaysHigh_Cover_Crop.jpg" data-mid="96520323" border="0" src="https://freight.cargo.site/w/1000/i/24381216a903588e841ed85f9262c0558808a5d5f8f37c045a772054978f5457/TheDeadareAlwaysHigh_Cover_Crop.jpg" /> <img width="2000" height="1126" width_o="2000" height_o="1126" data-src="https://freight.cargo.site/t/original/i/dd58d1112922b04489ea9675a3c8dbd3de4b8875ecf6159ab41aacbf3a059b11/TheDeadareAlwaysHigh_3.jpg" data-mid="100752405" border="0" src="https://freight.cargo.site/w/1000/i/dd58d1112922b04489ea9675a3c8dbd3de4b8875ecf6159ab41aacbf3a059b11/TheDeadareAlwaysHigh_3.jpg" /> <img width="2665" height="1500" width_o="2665" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a11638f80c57d82ff435a525ccf84b6a924e7380c4823c4a7f89ff61c94061df/TheDeadareAlwaysHigh_Cream_1.jpg" data-mid="100752278" border="0" src="https://freight.cargo.site/w/1000/i/a11638f80c57d82ff435a525ccf84b6a924e7380c4823c4a7f89ff61c94061df/TheDeadareAlwaysHigh_Cream_1.jpg" /> The Psychosculpture Multimedium, 2013 - open endedA conceptual artwork based on the reformulation of the Duchampian act of bringing non art into art, in this case, the readymade bicycle wheel is psychoanalysis, appropriated and used as a mode to produce art.&nbsp;︎︎︎ Read more <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/e3163d3d2ba33fdde93d7b558e7f3cffe64459ab23f8cf2775f617af0d15a196/Cabinet.apass-landings-66-copy.jpg" data-mid="91683868" border="0" src="https://freight.cargo.site/w/1000/i/e3163d3d2ba33fdde93d7b558e7f3cffe64459ab23f8cf2775f617af0d15a196/Cabinet.apass-landings-66-copy.jpg" /> <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/71b6c15f0e9eb991f94cb371499d041aee26fb75d555fcd3435d8b1fd59ea7d4/Cabinet.apass-landings-69-copy.jpg" data-mid="100752568" border="0" src="https://freight.cargo.site/w/1000/i/71b6c15f0e9eb991f94cb371499d041aee26fb75d555fcd3435d8b1fd59ea7d4/Cabinet.apass-landings-69-copy.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228086" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" /> All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Exhibition Tue, 27 Jun 2023 10:34:19 +0000 Brendan Michal Heshka https://brendanheshka.com/Exhibition Exhibition Funeral High 2022 ︎︎︎ Read press release ︎︎︎&nbsp;See video <img width="5367" height="3578" width_o="5367" height_o="3578" data-src="https://freight.cargo.site/t/original/i/e64919045ca4d4dcf003e6dc4e8517f8c023b950834468232f4c766307f740ba/01_Entrance_FullShot_landscape_01-copy.jpg" data-mid="183418447" border="0" src="https://freight.cargo.site/w/1000/i/e64919045ca4d4dcf003e6dc4e8517f8c023b950834468232f4c766307f740ba/01_Entrance_FullShot_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/8d857c63ad389faed6e113fa7000237605e731db806ec9b0ae7ff648e46bb095/00_View_back_landscape_01-copy.jpg" data-mid="183418446" border="0" src="https://freight.cargo.site/w/1000/i/8d857c63ad389faed6e113fa7000237605e731db806ec9b0ae7ff648e46bb095/00_View_back_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f9a98f93557bfba14f3c0b11ae4cdc0a4bb46bdc80252cbd3fa4f08cf148278b/08_Fire_Space_paintings_landscape_01-copy.jpg" data-mid="183418455" border="0" src="https://freight.cargo.site/w/1000/i/f9a98f93557bfba14f3c0b11ae4cdc0a4bb46bdc80252cbd3fa4f08cf148278b/08_Fire_Space_paintings_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/dcbc05aca3937e629f0db290034cd0bab72aa224fbac544b01ec098fa77efb95/10_SkewdDoor_landscape_01-copy.jpg" data-mid="183418458" border="0" src="https://freight.cargo.site/w/1000/i/dcbc05aca3937e629f0db290034cd0bab72aa224fbac544b01ec098fa77efb95/10_SkewdDoor_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6c865508aecd0a76c537cc3f4bbcda73b3c85b0c3120398deca8cde17bbd8b61/07_Pots_wFire_background_CloseUp_Landscape_02-copy.jpg" data-mid="183418454" border="0" src="https://freight.cargo.site/w/1000/i/6c865508aecd0a76c537cc3f4bbcda73b3c85b0c3120398deca8cde17bbd8b61/07_Pots_wFire_background_CloseUp_Landscape_02-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/07261d5e63272d5457a4a12a9aba2cfa10b8512838db6969e6070515f76187ad/05_Pots_FullShot_landscape_01-copy.jpg" data-mid="183418451" border="0" src="https://freight.cargo.site/w/1000/i/07261d5e63272d5457a4a12a9aba2cfa10b8512838db6969e6070515f76187ad/05_Pots_FullShot_landscape_01-copy.jpg" /> <img width="5534" height="3689" width_o="5534" height_o="3689" data-src="https://freight.cargo.site/t/original/i/98c0c7d798c4cf6d28a3e4579e63dd823556974b8391d4b798744abd9b45f443/06_FourPots_wClawDetail_landscape_01-copy.jpg" data-mid="183418453" border="0" src="https://freight.cargo.site/w/1000/i/98c0c7d798c4cf6d28a3e4579e63dd823556974b8391d4b798744abd9b45f443/06_FourPots_wClawDetail_landscape_01-copy.jpg" /> <img width="5103" height="3402" width_o="5103" height_o="3402" data-src="https://freight.cargo.site/t/original/i/e5a898588023c0967537e098468447ca6e980a5539dc582c12563865131277e9/16_SpaceIsInfinite_skewd_landscape_01-copy.jpg" data-mid="183418469" border="0" src="https://freight.cargo.site/w/1000/i/e5a898588023c0967537e098468447ca6e980a5539dc582c12563865131277e9/16_SpaceIsInfinite_skewd_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/81461a79fa1bc7197bc460b479e750f6f71960175bf5b4293e94796a3725ca7e/13_DualChair_wRope_landscape_02-copy.jpg" data-mid="183418463" border="0" src="https://freight.cargo.site/w/1000/i/81461a79fa1bc7197bc460b479e750f6f71960175bf5b4293e94796a3725ca7e/13_DualChair_wRope_landscape_02-copy.jpg" /> <img width="5264" height="3510" width_o="5264" height_o="3510" data-src="https://freight.cargo.site/t/original/i/9e5a8f6a33e9259b1b9cbf182bfe0b106809cf6f1e4a15c3be8e4c124525dc0f/15_portrait_wDoors_landscape_03-copy.jpg" data-mid="183418468" border="0" src="https://freight.cargo.site/w/1000/i/9e5a8f6a33e9259b1b9cbf182bfe0b106809cf6f1e4a15c3be8e4c124525dc0f/15_portrait_wDoors_landscape_03-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f618ff0af433a5252f8559a2678f4481b8a23cddb15b0ac388f8848cac201f5b/14_Wine_landscape_01-copy.jpg" data-mid="183418467" border="0" src="https://freight.cargo.site/w/1000/i/f618ff0af433a5252f8559a2678f4481b8a23cddb15b0ac388f8848cac201f5b/14_Wine_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/111c3e7f5ff6f8e77edb35f534d763819a60943580fa5a21d11eda4d5bd01a4f/12_Cats_wChair_landscape_01-copy.jpg" data-mid="183418462" border="0" src="https://freight.cargo.site/w/1000/i/111c3e7f5ff6f8e77edb35f534d763819a60943580fa5a21d11eda4d5bd01a4f/12_Cats_wChair_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6a41b7da3a07d49a7bde8ff3e086e02d8c65b541a0eff483a88b85399838bd60/11_Triptych_Books_Landscape_01-copy.jpg" data-mid="183418460" border="0" src="https://freight.cargo.site/w/1000/i/6a41b7da3a07d49a7bde8ff3e086e02d8c65b541a0eff483a88b85399838bd60/11_Triptych_Books_Landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/7ccb76a179ecba532dae6ec41a5c9a833d44bd697a0b1ea157a79627317c5eba/04_Pots_EstablishingShot_landscape_01-copy.jpg" data-mid="183418450" border="0" src="https://freight.cargo.site/w/1000/i/7ccb76a179ecba532dae6ec41a5c9a833d44bd697a0b1ea157a79627317c5eba/04_Pots_EstablishingShot_landscape_01-copy.jpg" /> <img width="2836" height="1890" width_o="2836" height_o="1890" data-src="https://freight.cargo.site/t/original/i/8341391975268f9a4196bf5a4535f7d1427ca7594fd18a0cda8f6a85646839b9/03_HolyGrail_detail_wFlyAgarics_landscape_03-copy.jpg" data-mid="183418449" border="0" src="https://freight.cargo.site/w/1000/i/8341391975268f9a4196bf5a4535f7d1427ca7594fd18a0cda8f6a85646839b9/03_HolyGrail_detail_wFlyAgarics_landscape_03-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/e1dda6ba8d9f3d4fe1d6efb495c78a625c24a625b793ef29555097eeb5f787bb/02_HolyGrail_FullShot_wRed-copy.jpg" data-mid="183418448" border="0" src="https://freight.cargo.site/w/1000/i/e1dda6ba8d9f3d4fe1d6efb495c78a625c24a625b793ef29555097eeb5f787bb/02_HolyGrail_FullShot_wRed-copy.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="183418191" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" /> All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Press-release-1-Funeral Wed, 28 Jun 2023 08:45:03 +0000 Brendan Michal Heshka https://brendanheshka.com/Press-release-1-Funeral Press release: Funeral High Funeral High is a solo exhibition by Brendan Michal Heshka Opening reception: 19th of March 2022 at 15h00 - 22h00 EXGIRLFRIEND Lankwitzer Str. 14, 12107 Berlin. Running from 18.03.22 - 31.03.22 by appointment Since the time you were born, I am the mother that never stops bringing you into the world. The exhibition introduces a collection of ancient ceramic vessels. Each of the ceramics in this rare collection are host to a common yet exceptional fungus, the mycelium of the Amanita Muscaria mushroom, commonly called the Fly Agaric, the world’s most famous mushroom that nobody knows. Heshka’s speculation is that these ceramics all contain the very same properties as the mythic Holy Grail. Legends and stories of the grail echo down through the ages, whispering to us, of power and wisdom living in a cup. Stories of wondrous cauldrons and magic bowls whose drink of healing, poetry, and inspiration never runs out. The Secret of the Grail is ancient, the stories predate Christianity, old myths that were adopted by the Church. The word Grail comes from the Celtic ‘Greal’, which means a brew of inspiration. The grail is mysterious, yet it is real, it can be understood. The grail is magical, yet like all magic once the secret is understood, it’s very simple. Following a recipe recovered from clues hidden in the Bible, Heshka uses the clay pots to brew an ancient tincture, a magical non-alcoholic wine, or ‘ambrosia’ that recreates what would have been one of the oldest cultivated intoxicants known to civilization. A sacred, immortal hallucinogenic plant crushed and consumed as a beverage. When time passes the remnants of the pulverized fungus dry up and turn to dust. But when provided a suitable container, the Amanita leave their vital spirit behind, now living in the pores of the magic cup. Turning water to wine the fungus is regenerated in a cycle that could last forever. The secret hidden in the wine comes from the living pots and is animated in our body as we make a toast and drink.—“Do not offer me your hand, for I shall immediately cause it to rot. Offer me your consciousness. Disappear within me”. Together we will serve our ancient drink amongst a selection of Heshka’s most recent art works made here in Berlin. What joy! What immeasurable joy! https://brendanheshka.com/Project-1-Stoned-Apes-with-Magic-Cups Wed, 09 Dec 2020 10:21:39 +0000 Brendan Michal Heshka https://brendanheshka.com/Project-1-Stoned-Apes-with-Magic-Cups Stoned Apes with Magic Cups This collection of curious objects appears ancient because they are ancient. Yet the primordial relics are made today, produced in synthesis, from the shared natural knowledge of ‘stoned apes’, and secrets hidden in the Holy Scriptures for the making of ‘magic cups’. Clay terra-cotta pots, beakers and grails are built following the earliest functional historical forms. The mud is fired at and around the temperatures that would have been limited to the early civilizations. The high temperatures of the kiln are low enough that the terracotta does not vitrify, rather they remain porous. A porous pot is best for growing any living thing, this earth-based medium allows air and water to pass through its walls which can then also store and contain nutrients. <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/01b5e3294e7e1f244af4c5e70fb3791ec7e90c0b3e9372c9b6893db3097f13dc/ClassicGrail.wMushrooms.landscape-copy.jpg" data-mid="96528379" border="0" src="https://freight.cargo.site/w/1000/i/01b5e3294e7e1f244af4c5e70fb3791ec7e90c0b3e9372c9b6893db3097f13dc/ClassicGrail.wMushrooms.landscape-copy.jpg" /> <img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/34c88d349ece1e04517d662856b1322e3c7d803c6b6b1b706d5df68fc0c6d120/ClassicHolyGrail_detail_landscape_03-copy.jpg" data-mid="100759701" border="0" src="https://freight.cargo.site/w/1000/i/34c88d349ece1e04517d662856b1322e3c7d803c6b6b1b706d5df68fc0c6d120/ClassicHolyGrail_detail_landscape_03-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/516b707435774bb44863aa4b1e3510ffb79d1bf50f5680df470fea554f3abdb0/RiverBeaker_landscape_01-copy.jpg" data-mid="96528251" border="0" src="https://freight.cargo.site/w/1000/i/516b707435774bb44863aa4b1e3510ffb79d1bf50f5680df470fea554f3abdb0/RiverBeaker_landscape_01-copy.jpg" /> <img width="5332" height="3554" width_o="5332" height_o="3554" data-src="https://freight.cargo.site/t/original/i/c2cabb5e794f41113324665fbc212d65345314da04e7c1620fdfd0891cc059fc/Riverbeaker_detail_landscape_01-copy.jpg" data-mid="96528388" border="0" src="https://freight.cargo.site/w/1000/i/c2cabb5e794f41113324665fbc212d65345314da04e7c1620fdfd0891cc059fc/Riverbeaker_detail_landscape_01-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/6a127ad5b49ca57254f25f768ace6b3200a7eeaa550662d82d9e544f556342ff/ClassicHolyGrail_landscape_03-copy.jpg" data-mid="96528382" border="0" src="https://freight.cargo.site/w/1000/i/6a127ad5b49ca57254f25f768ace6b3200a7eeaa550662d82d9e544f556342ff/ClassicHolyGrail_landscape_03-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/cf667247cc983df9127a78da0c02317bc90e7ceaf3b614109478614cd009e9c6/BoilBeaker_01-21_detail_landscape_01-copy.jpg" data-mid="96528377" border="0" src="https://freight.cargo.site/w/1000/i/cf667247cc983df9127a78da0c02317bc90e7ceaf3b614109478614cd009e9c6/BoilBeaker_01-21_detail_landscape_01-copy.jpg" /> <img width="5482" height="3654" width_o="5482" height_o="3654" data-src="https://freight.cargo.site/t/original/i/c17ad19ac0e0d708da7fc317b3ca5023b37fbb1eae07feeef8eb40bc82565bfe/BoilBeaker_01-21_landscape_02-copy.jpg" data-mid="96528378" border="0" src="https://freight.cargo.site/w/1000/i/c17ad19ac0e0d708da7fc317b3ca5023b37fbb1eae07feeef8eb40bc82565bfe/BoilBeaker_01-21_landscape_02-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/b8913b6ca4522f06b21c674d724d2074349be4b1bef8ba3970712d7cfbb9a014/BeakersGroup.11-20.Landscape.jpg" data-mid="96640515" border="0" src="https://freight.cargo.site/w/1000/i/b8913b6ca4522f06b21c674d724d2074349be4b1bef8ba3970712d7cfbb9a014/BeakersGroup.11-20.Landscape.jpg" /> <img width="5396" height="3597" width_o="5396" height_o="3597" data-src="https://freight.cargo.site/t/original/i/09527bc3da55a97e8de6c866219bc9a6b4677e50d09a41855d817ae3a998582e/EstruscanVessel_landscape_02-copy.jpg" data-mid="96528384" border="0" src="https://freight.cargo.site/w/1000/i/09527bc3da55a97e8de6c866219bc9a6b4677e50d09a41855d817ae3a998582e/EstruscanVessel_landscape_02-copy.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/69bccf13f622ebd4d08d311673caeca7e7421297d9a6f4de2208dd488c55d1a8/KnightsCup_landscape_02-copy.jpg" data-mid="96528387" border="0" src="https://freight.cargo.site/w/1000/i/69bccf13f622ebd4d08d311673caeca7e7421297d9a6f4de2208dd488c55d1a8/KnightsCup_landscape_02-copy.jpg" /> Meanwhile A dumb growing mushroom is popping up everywhere trying to make itself be seen. The Amanita Muscaria. The only way that this beautiful Fly Agaric mushroom can be ignored is because somehow a common knowledge has turned it into a dangerous poison. However, the Amanita Muscaria is and has been historically used by many cultures for shamanic and/or intoxicating purposes. These toadstools are not harvested, except in the case of this work, they are collected throughout the Teutonic forests from late summer until Halloween. The Amanita Muscaria’s principle alkaloids are ibotenic acid and muscimol. When the mushroom is dried the ibotenic acid is converted to muscimol which is the most desired agent. Fresh, the Fly Agaric contains a carbon dioxide molecule, this property will cause negative side-effects, experienced as a kind of carbonation of your guts, nausea, cramps, vomiting and extreme sedation resulting in a coma like sleep with no hallucinogenic effects. But the mushroom safely dried and later processed, avoids any of these possible symptoms and actually boosts its entheogenic properties. The autumn mushrooms are allowed to thoroughly dry, by early winter they would be ready to be consumed. The natural rhythm would account for this undefined period easily, marked as the change of season with winter’s apex indicating the moment to perform the secret operation. Resurrection The long dead Fly Agaric mushrooms have the capability to come back to life. The terra-cotta vessels are filled to their maximum with the dried specimens, pushed and pressed crunching to fill the pot. Grape juice in the capacity of the pot is poured over the mushrooms, until they are completely submerged. Here, the same grapes that given to a different ancient process would produce an alcoholic drink, will produce a drink with very different qualities. After a long soak, the grape juice has changed, poured off as tincture. The pots are covered, moist, left in the warm dark, consuming the sugars left behind, the mushrooms change form, the vessels are overtaken by the primordial mycelium, the vegetative part of the fungus, consisting of a network of fine white filaments. The pots are now alive, and the cycle producing the stimulating tincture can be repeated indefinitely. This is the ‘stuff’ of the Holy Grail- The New Testament is ancient scientific (empirical) knowledge embedded in a story. There are only two ways to preserve complex knowledge without writing. First, make it poetry or song where the rhyme helps one remember the information, the Rig Veda is a prime example of this, where the poetry of the Hymns lend itself to being used as a vehicle of knowledge. Second, make it part of a story. In remembering the story, the knowledge is remembered, but the story itself must be memorable. The New Testament is an example of this second method. As long as you know this story actually contains hidden knowledge, there is no misunderstanding; but if you don’t know it is really a vehicle for transmitting hidden knowledge with magical metaphors; and so believe it to be literal, then misunderstanding is all this method can produce. Many major points in the New Testament such as “the virgin birth,” “water to wine”, “healing,” “prophecy” and “the resurrection” fit Amanita Muscaria precisely, they of course do not fit a man or any other life form on the planet, except symbolically. “It is not I who speak . . . it is the logos” Requiring no intelligence, but certainly not mute, this immortal fungus and its accompanying magic vessel are the source of ancient legend and myth. It was called Maga, “the Great Gift,” the very root of our modern word Magic Magi, Magus, and Magician. Those who carried the Great Gift were called “Gift bearers,”. The Grail, Amanita Muscaria’s great gift to mankind, a magical never-ending source of inspiration, enlightenment, healing, comfort, joy, and by it’s very existence, astonishment. These grails and beakers recreated with Amanita Muscaria match the ‘Holy Grail’ of ancient legend perfectly. <img width="300" height="537" width_o="300" height_o="537" data-src="https://freight.cargo.site/t/original/i/9ec46dfcae86d35b36c8458f60cf09767dfd0a77dbd220e23f36c35626bfdc73/unnamed.jpg" data-mid="100757958" border="0" data-scale="100" src="https://freight.cargo.site/w/300/i/9ec46dfcae86d35b36c8458f60cf09767dfd0a77dbd220e23f36c35626bfdc73/unnamed.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/7fdd66167376bc750351a13a18c26dc9209a7dae645f0e273bbde2b8d26ba399/IMG_4507.jpg" data-mid="100758823" border="0" src="https://freight.cargo.site/w/1000/i/7fdd66167376bc750351a13a18c26dc9209a7dae645f0e273bbde2b8d26ba399/IMG_4507.jpg" /> Whatever else one may say about Amanita muscaria, she is certainly hypnotic. One could never call her tentative, nor afraid to stand out. She’s showy and she knows it. When the woman saw that the fruit of the tree was good to eat, and that it was pleasing to the eye and pleasing to contemplate, she took some and ate it. She also gave her husband some and he ate it. Then the eyes of both of them were opened and they discovered that they were naked. The story of Genesis is the story of a woman who is mistress of the magical plants. At the metaphorical level, they had attained consciousness of themselves as individuals and of each other as "Other. The world’s most famous mushroom What is most remarkable about this Scarlet Woman is her power to bewitch from afar- you never have to touch her, much less eat her, to fall under her spell. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bf1021fb17edad1d8329a5850a82a8664780355f2808525b02e06c694feec57c/IMG_2614.jpg" data-mid="92457800" border="0" src="https://freight.cargo.site/w/1000/i/bf1021fb17edad1d8329a5850a82a8664780355f2808525b02e06c694feec57c/IMG_2614.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/99608e874494ad63eb1f339c1586404677b66644921c371cee7f1ab9c5ddc39f/IMG_6637.jpg" data-mid="92457825" border="0" src="https://freight.cargo.site/w/1000/i/99608e874494ad63eb1f339c1586404677b66644921c371cee7f1ab9c5ddc39f/IMG_6637.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e3e5b161cd22879ab930f9d5d30e7034af550c074924c350c7e95abd633ff680/IMG_6599.jpg" data-mid="92458070" border="0" src="https://freight.cargo.site/w/1000/i/e3e5b161cd22879ab930f9d5d30e7034af550c074924c350c7e95abd633ff680/IMG_6599.jpg" /> Living in a foreign land is often characterized by a loss of connection to the natural environment that surrounds us often leaving one citified, land-locked in the metropolis. Most of this connection to the land is built through a childhood, of picking berries with grandma, planting the garden with your father, digging for clams with grandpa, hunting for worms with your cousins, to go fishing with your old neighbor. When one finds oneself amongst pine and cedar, beach and poplars, missing the south seas, there is obviously no point to go picking figs. Back in the Canadian forests I learned how to forage, I want to find chanterelles, morels, fiddleheads, and blueberries, but each time I come home with nothing except very much enjoying the fresh air. There is another way to treasure hunt, rather than deciding what to look for and then searching for it in the wild, one can start by trying to see what is there and learning how to use it. The witches would call it, hunting backwards. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d6761a4120c7c65c1adc917747de6f697091e70eca75c364356b9b922946af46/IMG_6711.jpg" data-mid="96521832" border="0" src="https://freight.cargo.site/w/1000/i/d6761a4120c7c65c1adc917747de6f697091e70eca75c364356b9b922946af46/IMG_6711.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/86ae05f2b3b8a92f9251ae3ee7df761ca4bec18f8d8be822a1ee0b8046c6a3f5/IMG_2307.jpg" data-mid="96522127" border="0" src="https://freight.cargo.site/w/1000/i/86ae05f2b3b8a92f9251ae3ee7df761ca4bec18f8d8be822a1ee0b8046c6a3f5/IMG_2307.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2a5ddaaf5afe6b65f75ca3fc80f3d371c650a2b9d75f81749bab315349c888f5/IMG_6813.jpg" data-mid="96527241" border="0" src="https://freight.cargo.site/w/1000/i/2a5ddaaf5afe6b65f75ca3fc80f3d371c650a2b9d75f81749bab315349c888f5/IMG_6813.jpg" /> <img width="2688" height="4032" width_o="2688" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e34c1ebe2e2caf3bec73106189c06347f6f7f1e03aa08396a064bc927d277113/IMG_6649.jpg" data-mid="96522081" border="0" src="https://freight.cargo.site/w/1000/i/e34c1ebe2e2caf3bec73106189c06347f6f7f1e03aa08396a064bc927d277113/IMG_6649.jpg" /> Was getting slightly sleepy without realizing it. and 've read about the nausea, but god, i didn't know it was this bad. it just suddenly started. the nausea i mean. not eating beforehand is prob a mistake. ugh, the nausea is really bad … gonna lie down for a while.just got up to tell you all VERY DIZZY and i notice the saliva effects too. salivating more than usual even before drinking water.i felll askeep just now and suddendly wope up beofre 10. i don't rememembre dreaming or taking the mushrooms and just sat up for almost 5 minutes there not knowking anything. i didn't realise i was inder the influence until i knoticed i was repepating 'shut now' and' 'recipient' while looking back and forth at two nacent peoole. i know the pic are thise them byt sge looke anyway, so there's like three google for 3 pll to 'go for it' and 'recipent'/its hard to type. i saw that my hard of view is sharrting to get hard now. when i see a line it rend tosee another like with the 'comp' 'abuse' words. damn i didn't reliuase but talkimg will be hard on this one,the visual field is too fast for me fo one thint. when i look left ahright as the keyboard once, it's like 'helllo nad tkae care' sorry, tellying is hardf since i'mt thinkbg one character bakc is correct/i keepm moving my head to the northwest.i can tell i'm very under the influnce.it was go keep going northwest. keeps on upperright uppperright and hehe oops i thought my iphone was my mouse, i kep themside by sode controlled with a lit of effects but it does keep shiny and i have be my on my toes all the time. yep, lazy to correct the typos too.walkked to the toilet just nopw and realized my motor skills isn't as stable as i thought it was. fell down while putting on toilet slippers. things are strange too, found mysefl very open to any suggestions, can be quite a dangerous drug in this context. and now my head heard this it keeps wanting to lean to the left and grabbed screen instead of my mouse.i think amanita is clear for me. i have no 'mental noise', totally silent for the occational 'all clear' that its repeating now. it can repeat anything too, but just one phase. I notice it went 'boom, boom boom' just now, but otherwise the mental clarity is good,. i don't think i can talk properfly though but i can try if confronted.the effects are mainly mental. the only 'visuals' i saw was a very fast moving field of vision. you dunno how hard it was to type those few words. my brain keeps repeating 'television' and another phrase i forgot to comfuse me. it wanted me to help something else, i think. oh i rememeber now! it was 'help' my brain keeeps repeating 'help' in a male voice like someone is in trouble. the vouce sounds middle aged, caucasian, and weakening, like he's drownking (not in water) in something like weak sand. quicksand i mean. ah i can see i'm confusing you too. anyway, i was just talkking about a filed of vision who like to instist going 'went of form' come her' to eat oothter ahd i looked back and forth even thought I'm tyoping now. strabge, :) ate a time tam. wasn't aware of the taste at first but its great now. at firt duriring the crunching stage, it feels large and volimuniis in my mouth, but tasted dry, there wasn't any taste until a movied it back a bit towards by throat. then the nice taste came. i just notice i dropped a piece of chocolate on my hard and i was surprised at this new brown bit on my left hand. i was thinking is it a bug that landed on my hand or did i grow a new strange brown wart?i didn't want to eat the small bit after i made the bug association. ah, now you scared me a bit.i don't like bugs and i subconsiouly shuddered a littke as i bruch it offed. damn. heh. surprised myself that i should shudder even know my mind knows that its obviously not some bug but a piece of chocolate.oh i just noticed that i was doing minor twitching tooo. little things i can't control like my right hand twiched a acouple of seconds ago. which is strange (damn my brain insisted on writing 'why' as strange' but i won) i don't know why but it seems that i like to wave now. like move to side to side.. oh damn i lost a bit of infor by not saving. btw, i haven't eaten, walking feels unsteady right now, will try again later. short term memory is either affected or overrided by some other effect. can't do stuff quickly. wanted to resize the amanita pics and took ages. keep going to wrong folders that seemed 'right'. keep going to wrong menus that seemed 'wrong'. sometimes i even know they're wronf before clicking the folders and yet my hand goes to click it. what a paradox!yeah it things can be quite blur. trying to do things is hard since your mind seems to have a mind of its own and want to do other things. so you end up doing things that was not what you wanted. this is like picking up wrong things - want to pick up keys, pick up fan instead, really strange stuff. hmm... it’s quite interesting, not “noteworthy interesting” but “interesting interesting”. Folks, just because it gets one ‘fucked up’ doesn’t mean it’s a guaranteed mystical experience. I see it in no other way than eating a poisonous mushroom, and I can’t blame mycologists for seeing it that way. Amanita muscaria is the most famous entheogen in the world that nobody uses. (well, hardly anybody). It is the supreme symbol of all entheogenic religion: of secret cults and societies of initiates and whispered lost knowledge. Wasson thought it was soma and the origin of religion itself. John Allegro thought that Christianity was an Amanita cult, that Jesus was a code for the fly agaric. Clark Heinrich, expanding on the ideas of Wasson and Allegro, has Moses initiated into a secret fly agaric cult before he sees the burning bush, as well as the mushroom being the Holy Grail and the elixir of the alchemists. According Andrija Puharich, the sacred mushroom was so highly revered by the Egyptians and so secret that it wasn’t even part of their language. James Arthur and Donald teeter add the Sumerian Tree of Knowledge and Mithraism to the mushroom’s achievements. Peter Lamborn Wilson conjures Amanita-soma from Irish legends and folklore. Carl Ruck finds the mushroom hiding in the Golden Fleece, and in the fire of Prometheus. Blaise Staples finds Amanitas within secret orders in Christian monasteries. What all of her worthy devotees have in common is their embracing of the word “entheogen”. Entheogen, proposed and subsequently championed by Ruck and his colleagues, has become the socially acceptable euphemism for “psychedelic”. Or such, anyway, was the idea-Wasson’s idea- so that classy folk could distance themselves from the riffraff.Unfortunately, “entheogen” is not a synonym for “psychedelic”. Psychedelics are wild and transgressive. Entheogens are sacred and spiritual. Entheogens aspire to social acceptability. They think if they can only prove themselves bona fide religious sacraments- or better, the ancient basis of all religion and culture- that maybe then Daddy and Big Brother will admit us back into the fold. It’s as if a blessing is cast just by the word being enunciated. One can almost smell the incense. As for Amanita, all the attention is fine with her, as long as it’s all theoretical. If you eat her though, it’s a different story, and she’ll take her revenge for the idolatry.They were in a pasture beneath some cypress trees. All the horses were staring at me, like they knew something, or were trying to say something. Anywhere in the world it grew, plant doctors must have tried it. And there are many traces, but there almost always like old tracks, a footprint that’s almost completely blown away, or an impression that might be a footprint. There are traces of Amanita in Mesoamerica, among the Ojibway, and among some western Indian tribes. There are traces in the Pyrenees and traces in Germany. In Afghanistan there may even be footprints. There are traces in India, maybe. Traces, yes, and maybe traces in a secret sect of tantric Buddhists. Maybe. There seems to be four classes of use for the mushroom: sacred and magic activities, such as divination and communicating with the dead; the recital of epics, going mad, singing and ranting for hours; for difficult physical work, such as haymaking and pulling boats with ropes; and as a narcotic, for euphoria and dreaming. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f1f2d480d1c3ec7f49588eb3f861ebbc7a477078039d2a96d811cf8ea230f886/IMG_6838.jpg" data-mid="96527216" border="0" src="https://freight.cargo.site/w/1000/i/f1f2d480d1c3ec7f49588eb3f861ebbc7a477078039d2a96d811cf8ea230f886/IMG_6838.jpg" />Caption goes here <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/471e915a42b263578d157e263c8c43fab6442fea3d560545cc5960e3bdb52440/IMG_5891.jpg" data-mid="96526396" border="0" src="https://freight.cargo.site/w/1000/i/471e915a42b263578d157e263c8c43fab6442fea3d560545cc5960e3bdb52440/IMG_5891.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/eaa3b80155a40209cde282f8ec1063fe7a131d9aefe6da45bd90c8a2c7a26495/IMG_5911.jpg" data-mid="96526394" border="0" src="https://freight.cargo.site/w/1000/i/eaa3b80155a40209cde282f8ec1063fe7a131d9aefe6da45bd90c8a2c7a26495/IMG_5911.jpg" /> “The principle therapeutic use of Amanita muscaria is to induce healing dreams.” <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/68498903a86c23a89d04c34a2a7e2e74f2545ea6d53117452d35971e4b37d70a/MagicWine.wMushrooms.landscape.02.jpg" data-mid="96642221" border="0" src="https://freight.cargo.site/w/1000/i/68498903a86c23a89d04c34a2a7e2e74f2545ea6d53117452d35971e4b37d70a/MagicWine.wMushrooms.landscape.02.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/be885563dbb035f7349ab519a935a279049aa36a84cc2c07228e2f8fd37eea8f/IMG_6577.jpg" data-mid="96522966" border="0" src="https://freight.cargo.site/w/1000/i/be885563dbb035f7349ab519a935a279049aa36a84cc2c07228e2f8fd37eea8f/IMG_6577.jpg" /> The Ace of Cups I do not know how old I am; I could be a naive young man or an old romantic or, why not, a young girl or an old woman. I can dance in an endless spring or shrivel up in an eternal winter. I do not command but am at my subjects’ service. I am not the way; I am the welcome mat. Whatever I receive, I give away. Legends and stories of the grail echo down through the ages, whispering to us, of power and wisdom, living in a cup. Stories of wondrous cauldrons and magic bowls whose drink of healing, poetry, and inspiration never runs out. The Secret of the Grail is ancient, perhaps older than civilization itself, the stories predate Christianity, old myths that were adopted by the Church. The word Grail comes from the Celtic “Greal”, which means a brew of inspiration. The grail is mysterious, yet it is real, it can be understood. The grail is magical, yet like all magic once the secret is understood, it’s very simple. The creation of a grail involved the practice of the highest magic known to early humanity. A sacred, immortal, hallucinogenic plant crushed and consumed as a beverage. Immortal it comes back to life and lives in a suitable container, like this cup, perhaps forever. Like all the higher fungus (mushrooms etc.) the Amanita muscaria fungus occurs in two forms, the mushroom (the fruiting body) and the actual plant (the primal form) this primal form resembles common molds, such as bread mold. The primal form of Amanita Muscaria can be huge; a single plant can cover multiple acres of a forest and weigh many tons. Once inoculated by the ancient process, it is this primal form, the mycelium, that grows and lives in the pots, beakers and cups. The enchanted objects are now alive, and provided they are given the most basic conditions to survive, they will, perhaps forever, in the least they should outlive you. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1aaf82f7fd9c854cdc18cf0aa492a128bc84ff4ab6d3372a09f4eb1c499a5584/IMG_4805.JPG" data-mid="96525834" border="0" src="https://freight.cargo.site/w/1000/i/1aaf82f7fd9c854cdc18cf0aa492a128bc84ff4ab6d3372a09f4eb1c499a5584/IMG_4805.JPG" /> The names of the Amanita tincture: Soma (the pressed one), Ambrose (not-mortal) and Nek-tar (death-overcomer), Maga (the Great Gift), names obviously based on the plant’s resurrection and immortality and also the root of the words magic, magi, and magician. INDIANA JONES “That's the cup of a carpenter.” <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ffb9fc30d3741f5121f81dcbc3e06c25e888e0726934e4fd82352d65fca19605/IMG_5834.jpg" data-mid="96526093" border="0" src="https://freight.cargo.site/w/1000/i/ffb9fc30d3741f5121f81dcbc3e06c25e888e0726934e4fd82352d65fca19605/IMG_5834.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228147" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" /> All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Project-2-The-Dead-are-Always-High Thu, 10 Dec 2020 14:23:23 +0000 Brendan Michal Heshka https://brendanheshka.com/Project-2-The-Dead-are-Always-High The Dead are Always high The investigative work centers around attempts at opening a portal of communication with influential artists and thinkers who are now deceased. The process proposes an active mode of dialogue with history. Beyond the dormant secondary sources of research that are conventionally used to gain knowledge from the past, the stage is set for an impossible interview series. The interviews work through a psychic medium who possesses the uncanny natural ability to communicate with images, voices and speech from another reality, an exceptional gift that runs through the feminine line of her family. The consultations are conducted privately, and the results are revisited and documented through the act of the careful transcription of their sound recording. Significant guests hosted by the project include Marcel Duchamp as his feminine alter ego Rrose Sélavy, American curator George Heard Hamilton, Dadaist poet Elsa von Freytag-Loringhoven, Gustave Courbet, Vincent van Gogh, Bas Jan Ader, and psychoanalyst Jacques Lacan. The stories, apparitions and images of the work are given body as artworks, in the form of public exhibition and a developing book. <img width="1500" height="997" width_o="1500" height_o="997" data-src="https://freight.cargo.site/t/original/i/d6bf6bc14f88cae3490b96ee366a7f617a368d5223eda62fa030edd7ddfc0493/TheDead._DSC0167-copy.jpg" data-mid="96642613" border="0" src="https://freight.cargo.site/w/1000/i/d6bf6bc14f88cae3490b96ee366a7f617a368d5223eda62fa030edd7ddfc0493/TheDead._DSC0167-copy.jpg" /> “Am I just looking for another master to tell me how to do my work?” (…) “It says: Figures, interesting and important figures are for your eyes, like candles, giving light or guidance.We see: the image of a great old painting, a man, but instead of pupils he has candles burning. His soul is always connected, like strings from a puppet to the sky, except its not seen like that, he also has control of these strings. We see the image of a man who lets himself be guided. “You walk in the traces. It helps you understand the land that you are on. A discovery. It really is like a costume, and you really know how to fold it up when you are back home, and when you go to bed you know who you are.&nbsp; But sometimes (...)” “It’s weird but we feel that Duchamp left some clothing, or jackets and things on a chair, in the Europe area, there are not so many, I can see there is twenty, maybe twenty-five jackets. And in a way you took one and you don’t really know what to do with it. But what I mean is, it’s a legacy that you are a part of. In a way you found it by mistake, but it was not necessarily by chance, you weren’t looking for it, but it was here for you and you took it. In French you would say: par hasard celle-là.” “We see you with that Duchamp costume, carefully combing your hair, as if when you wear that costume, that paradigm (the word I see is paradigm) you should do something really quiet and doable and not busy caught up in thinking about other things. You should just totally be picking flowers in the mountains.” “Imagination is a form of hospitality” <img width="729" height="945" width_o="729" height_o="945" data-src="https://freight.cargo.site/t/original/i/0c049fbf0f88ec48fa7f529c24f02a510a15b8abfd69cbd28f752d6cb2a74d7e/TheDead.collage.selfportrait.3_729.jpg" data-mid="96642647" border="0" src="https://freight.cargo.site/w/729/i/0c049fbf0f88ec48fa7f529c24f02a510a15b8abfd69cbd28f752d6cb2a74d7e/TheDead.collage.selfportrait.3_729.jpg" /> <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/081bca410d1280c9b38b32984eaf165fc0b3910bc54777110b8a54b00bd75b3d/TheDeadareAlwaysHigh_Cream_2.jpg" data-mid="96642716" border="0" src="https://freight.cargo.site/w/1000/i/081bca410d1280c9b38b32984eaf165fc0b3910bc54777110b8a54b00bd75b3d/TheDeadareAlwaysHigh_Cream_2.jpg" /> “Let’s begin. Can you open the curtain?” “The first image is dark. Dark in the sense as, I see some men, but they don’t look fine. They seem to have masks. Like latex masks, like fake heads. They are all disguised, as if they are waiting to take off this anonymous mask.” “And they are going to go one by one during this night, because in a way, this is the atmosphere you are trying to get. We are going to go into an Irish salon to drink some whiskey. And now we are entering the space, the space of the conversation for tonight. So this space is a typical, hall or lobby of a hotel, the “salon” or the bar of the hotel. We can see chesterfields, a piano, a bar with lots of alcohol.” “Let’s talk about the architecture of this space.” “It says that last time we were talking about corridors, but here, now, at the end of the hallway is a neutral space where people can wait, like a lobby of a hotel. So, with this bar, we are talking about a kind of “non space” for you, and for the person who is going to come speak with you. It’s like the space for an interview, and it’s very different if you do the interview in the bedroom or in someone’s apartment or if you do it in the neutral space. So this is the second door. The hallway “neutral space” is peripheral, it runs around, and within that you have a larger space.” <img width="2000" height="1126" width_o="2000" height_o="1126" data-src="https://freight.cargo.site/t/original/i/26f96af575c0a2864b966697bbe349c409eebbd8378a15060e362ab9b0884f6a/TheDeadareAlwaysHigh_3.jpg" data-mid="96643264" border="0" src="https://freight.cargo.site/w/1000/i/26f96af575c0a2864b966697bbe349c409eebbd8378a15060e362ab9b0884f6a/TheDeadareAlwaysHigh_3.jpg" /> “The hallways themselves are not closed. It’s like how you’d imagine seeing a Greek temple, with its arches and columns. And then beyond this temple-like structure there are doors. Then deeper, here is the beyond and through of these doors where we find the large spaces in the center of this hotel-like architecture. These are the real spaces, and are closed. So even though we remain in this “hotel,” this residency type space, these rooms are all different because everyone has a different type of hotel. Endless doors. When you open one there is always another that is closed.”“All these guys are floating around. Around us here. I see that it’s like we are inside a maquette. Because of course the guy you are about to talk to can move all over the place, but you can’t. So it says the session is open aaand—Who do you want to have a glass of whiskey with?” “Hmmm. Excellent. I was thinking of Rrose Sélavy, the pseudonym of Marcel Duchamp. The artist dressed and signing his works as a woman.” Time passes. There is a nice pause as the figure of Duchamp (as Rrose Sélavy) enters the room. “Of course. Ummm…and I think it’s really now Marcel Duchamp as Rrose who says: Of course you say that. So now in her [Margaux’s] imagination, in her way of seeing me, I have to be disguised. I’m an old man so now I’m an old man with a weird outfit in this hotel. But I play the game. And I’ll play the game because I think that to begin it’s great to have my funny side. So you see me with my hat and my large scarf and as old as I am I almost look like a witch. So we’re even.”“Is she calling us witches?” “Yes. But it’s—he really has this man’s voice. With this weird almost like old woman’s outfit. So this is an old woman with a man’s voice, and now drinking whiskey so he has—or she has—a skirt but when he sits it’s really manly, legs open and hunched with his whiskey—"“So, in a way, it is an honest way to begin with me, Brendan, because you are here and Margaux is there too so I can, like, combine you two 2. So we are in an interview now. What do you want to ask?” “What I have in mind… Ummm. I guess we can share a drink, so please, let’s... I’m curious about what seems to me to be your fascination with women in your work and why also this character of the female pseudonym that you created.” “Okay. Is that the question?”“Yes.”“So, we are talking about Rrose Sélavy then.”“Yes”“He speaks in French. He says. At that time: “Parce que on n’est tout ou rien. Parce que on n’est tout et rien. Parce que on n’est rien et tout.”And he says for the handsome guy to understand and to follow us, the idea was: I always want to and always wanted to hide. And this was kind of my first hiding memory, or hiding theory in real. And acting like that was always—" “The image I have now while he’s speaking about that is really white—People want to take my shadow. And it’s really something that slips from their hands. It’s really the image of a ghost with the white sheet but always slipping through the hands of people. And this was kind of the beginning of the slipping, the beginning of the slipping. The beginning of the moment where I didn’t want people to touch my hips.” “Mmmhmmmm.” <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/99b6d1934eff961bd03aebf5ea79ebdea398800301b0f13b31ae8eca7c86b288/TheDead.ConceptualArt.GangJacket.02.jpg" data-mid="96643419" border="0" src="https://freight.cargo.site/w/1000/i/99b6d1934eff961bd03aebf5ea79ebdea398800301b0f13b31ae8eca7c86b288/TheDead.ConceptualArt.GangJacket.02.jpg" /> <img width="2639" height="3402" width_o="2639" height_o="3402" data-src="https://freight.cargo.site/t/original/i/de21cc22db717808df9b8bf04079cc57b81bd8aa23e37b1a594b40b00862c47c/Contract2-05.png" data-mid="96658839" border="0" src="https://freight.cargo.site/w/1000/i/de21cc22db717808df9b8bf04079cc57b81bd8aa23e37b1a594b40b00862c47c/Contract2-05.png" /> <img width="1340" height="1005" width_o="1340" height_o="1005" data-src="https://freight.cargo.site/t/original/i/cc02dff21db5061b32f89a245f8d373992bf3dffbd09e131856d0843ec30cddc/TheDead.Performance.PAF-2016march_1340_c.jpg" data-mid="96643499" border="0" src="https://freight.cargo.site/w/1000/i/cc02dff21db5061b32f89a245f8d373992bf3dffbd09e131856d0843ec30cddc/TheDead.Performance.PAF-2016march_1340_c.jpg" /> “Meaning I could be that or that or that. Meaning that—meaning that my incarnation could be incarnated by an object or by an image. And this woman was already an image.” “Well isn’t—” “And it says: Please don’t interrupt me, Big Guy.” “The image, the object as my personality…” “Okay. The—he’s telling me about [the painting] Nu descendant un escalier. But the image we have is a nude climbing the stairs as if he was that image of that woman that is always climbing those stairs. Endlessly. As if, in a way, he just—he says: Let me talk myself.” “So in a way I just left the image of, what you call now a hologram, of something that is still here and that is still ongoing. Ongoing. Like I never went down. It’s a tricky thing that I did. I did that and something got opened—and nobody got this image switched off. It’s still, and I’m still, climbing the stairs. My energy is still here climbing the stairs. I also wanted to interrupt something. The meaning of the hole, “le serrure.” “The movement that we see or what he describes is really like a key that goes into a lock. It’s really close and far, close and far. We get closer and we think we are going to arrive to somewhere, that it’s going to open but then as we get closer, we see it’s closed. And from far away it looks open. And back and forth. When you’re close you see nothing. It’s closed.” “You see, that’s another trick. The last trick I’m going to speak about tonight—" “He speaks really in terms of work.” <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/740eb8ab67ac80005bde1f61ee188076e1b38451bf1ab345f6a04938d2f9d4a3/DualChair.Landscape.jpg" data-mid="96643599" border="0" src="https://freight.cargo.site/w/1000/i/740eb8ab67ac80005bde1f61ee188076e1b38451bf1ab345f6a04938d2f9d4a3/DualChair.Landscape.jpg" /> <img width="2667" height="1500" width_o="2667" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ec7ed12883f99193ff59e697c3e14316fcd7d327aa56cf1ab6204f158054ac44/TheDeadareAlwaysHigh_5.jpg" data-mid="96643639" border="0" src="https://freight.cargo.site/w/1000/i/ec7ed12883f99193ff59e697c3e14316fcd7d327aa56cf1ab6204f158054ac44/TheDeadareAlwaysHigh_5.jpg" /> “Nobody really loves you.” “But he doesn’t speak of you or me. In work, nobody really loves you, but people need you and you need people.”“Never got your can scratched.” “Like the can is your body and you never got your can scratched for someone…in work.”“Never fold yourself. Never fooold yourself. Always have another deeeep interest. You can’t be an artist if you don’t have another deep interest that keeps your mind almost as attracted as your work.” “It says this other interest doesn’t need to appear in your work as a subject. It needs to appear in your work as a strategy. Not as, like, a body of interest.” “So if this other interest is as deeeep as your artwork, it can be useful as a strategy. But it has to be as deeeep as the work, the interest.” “And it means, as deep in terms of time and space. That in your life… What does it mean, P-E-E-L ? “Like removing the skin from an apple or an orange. To peel away the outside layer.” “I forgot the stream—I lost the stream of the word...” “So in terms of time and space the image now is as if you have two lovers or two mistresses that you really love with the same love at the same time. And as that is not really possible for relationships. You can do that with what I call practice and interest in work. And now I see that the structure would more be like— Imagine a drawing of a human body. Practice and interest is like your arms and your head. And all the bottom is linked to relationships. This means—It says for relationships you always have to follow desire, like your dick or your pussy is always like your second nose. And you need to follow it. Like your mind is useless for that. And your bottom nose is linked to your heart. Anyways, we don’t need to talk about that.” “This character helped me a lot. Wondering why we should get along with so many people if they’re not interested in what you are but in what you could bring them. It was what we called “le pied de nez,” to snub. The fuck off, to all these guys, and woman, who tried to “embrigade,” dragoon you into something. Those who tried to take my arm and make their fellow of me. I did that at a period that, in a way, made my name disappear, in a way for me to be with myself. As if I did and didn’t want to be with that shadow, or fallow of a person.” <img width="800" height="1890" width_o="800" height_o="1890" data-src="https://freight.cargo.site/t/original/i/45f3d9ed261e81d2e6b4c985c6502e2bbd9cb1fb3f53fa33fd60b8d1b1b0636a/TheDead.Dual.oar.fullcrop.jpg" data-mid="96643608" border="0" src="https://freight.cargo.site/w/800/i/45f3d9ed261e81d2e6b4c985c6502e2bbd9cb1fb3f53fa33fd60b8d1b1b0636a/TheDead.Dual.oar.fullcrop.jpg" /> <img width="800" height="886" width_o="800" height_o="886" data-src="https://freight.cargo.site/t/original/i/810a0770ebd75395be745cea8fe81db40318ce44a15e72438a879d8afd430fbb/TheDead.IMG_2347.jpg" data-mid="96643618" border="0" src="https://freight.cargo.site/w/800/i/810a0770ebd75395be745cea8fe81db40318ce44a15e72438a879d8afd430fbb/TheDead.IMG_2347.jpg" /> <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/4edb84777411fe79c48a4972389037c331f337d58dc797d1dae36cbc39c2a57d/PortraitOfThreeArtistsAsAYoungMan.jpg" data-mid="96643619" border="0" src="https://freight.cargo.site/w/1000/i/4edb84777411fe79c48a4972389037c331f337d58dc797d1dae36cbc39c2a57d/PortraitOfThreeArtistsAsAYoungMan.jpg" /> “What is fallow?” “Uncultivated land. Like ploughed but left empty.” “It’s really like he could have the time to be with himself as Marcel. He orders another whiskey.” “Let’s go deeper. I’ve been sitting here for three years; I didn’t move so much. Lots of people came by. So you’re not the only ones that are visiting me. I took time for that, and it’s not necessarily for answers. "Response". And it’s like the song by Die Antwoord, you know that group?” “Mmmhmmm.” “I think you’re freaky and I like you a lot.” “He’s smoking a pipe now.”“I often wanted to make a book. I did books but not, like, a real one.” “It says like a real consultation with the divine.” “Like the divine of myself. That’s why I did art so well. Because it was my alternative question. It wasn’t my first question. That alternative question is more linked to observing, linking, and making fun of things. The serious part of my being was devoted to a much more noble cause. And I think I managed to communicate that search just into my thoughts and by the fact that my mind was always vivid and alive. At the end of my life, I managed to be in such a state of meditation.” “It says that through chess…”“That I—that I almost did geopolitical changes through my moves. You know that you can do that, right? That if you go highly into concentration on a specific point you can move whatever you want. So for me it was kind of easy—the art part of things. Like, if you have a table it is very important to have models. Like, schematic things that are linked to either people, either institutions, either spaces, either concepts that are like squares or cubes in your hands. You just have to give a shape. You have to be concentrated, but you have to use incantation onto forms to give the energy and then—" “Like a series of words said as a magic spell.”“Then it’s just a game. And you have to be faithful to that game, of course—it’s neither good intentions or bad intentions, it just needs to be the essence of a real intention. Whether it’s good or bad it just needs to be real. And then it happens. And you learn to understand that the intention—intention linked to action—"“Do you want to talk about a specific work? He says: I’ll be back in a minute.”“I think he’s going to take a piss. We pause?” “It’s been forty-six minutes.”“Perfect.” ... <img width="3697" height="2079" width_o="3697" height_o="2079" data-src="https://freight.cargo.site/t/original/i/aa1ade31214ea4f79092c3b5446599c1a8e5db80d4b94e592488146406ef1eb2/TheDeadareAlwaysHigh_Cover_Crop.jpg" data-mid="96643692" border="0" src="https://freight.cargo.site/w/1000/i/aa1ade31214ea4f79092c3b5446599c1a8e5db80d4b94e592488146406ef1eb2/TheDeadareAlwaysHigh_Cover_Crop.jpg" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228164" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" /> All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Project-3-The-Psychosculpture Thu, 10 Dec 2020 14:24:08 +0000 Brendan Michal Heshka https://brendanheshka.com/Project-3-The-Psychosculpture The PsychosculptureArt as the Domesticated Symptom of the Speaking Self: Work from between the Ego and the I The Psychosculpture begins with a reformulation of the Duchampian act of bringing non art into art, in this case, the readymade bicycle wheel is psychoanalysis. Appropriating psychoanalytic therapy as I know it and practicing it in the field of art by offering talk therapy sessions, experimenting on the performativity of intimate spaces and making open ended objects and images that both stem from and feed into the work, in whatever way that they can, as decor, as prop art, as stage sets, as tools, and as the symptoms that hold the keys to discovering. The Psychosculpture provides a platform to manifest one’s symptoms as artworks, with deposits of meaning that slowly reveal the signs of that which makes the self the self. The work could be positioned in the “what if” of history located at the juncture of Surrealism with Lacanian Psychoanalysis, I propose myself as the Surrealist artist that got up off the couch to practice from the position of the Freudian chair that so shaped a generation of art. The work is founded in practicing the performative process between art and psychoanalysis made public through exhibition making, performance and writing. <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/6db1efb80b257e310bf7d915df886e28211662c9b392af23665395a187441793/Cabinet.apass-landings-69-copy.jpg" data-mid="91693259" border="0" src="https://freight.cargo.site/w/1000/i/6db1efb80b257e310bf7d915df886e28211662c9b392af23665395a187441793/Cabinet.apass-landings-69-copy.jpg" /> What can contemporary art do in psychoanalysis and contemporary psychoanalysis do in art? This research is located between Art and Psychoanalysis, taking its beginning in intersection, the first juncture of Arts coming together with Psychiatry, historically exemplified by the movement of Surrealism. In the 1920’s the philosophies and discoveries of Freudian Psychoanalysis, its system of consciousness and mental processes, became the single most influent feature in the avant-garde of art making across genres for decades. Simultaneously the field of Psychoanalysis comes into contact with Art and it has instrumental effect on a young Jacques Lacan who works to synthesize a contemporary psychoanalytic theory from three areas of knowledge within his heavily divided field: clinical psychiatry, the teachings of Freud, and the second phase of surrealism. These artists and writers, known as the Surrealists, approached psychiatry’s study of our Mental Constitution and Health from a philosophical, literary, formalist and aesthete perspective. This group did not concern itself with any acceptance under the hegemony of the established scientific approach of the psychopathologists and their biological genetics, nor did it care to stay true to the strict Freudian proposals initially put forward by psychoanalysis’s singular master, rather the artists self-regulated their own space alongside, much in the same way that the psychoanalysts themselves wished to, free from the mockery and discreditation as non-scientific jargon. The Surrealists, informed by philosophy, poetry, French literature and concepts like Hegel’s Beautiful Soul, and Flaubert’s Boveryism accepted madness as a form of clairvoyance and celebrated their consciousness-ness’s ability to truly show itself as an artist. Declaring that psychology did not belong exclusively to doctors. <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/716aabc41ae653e88c987325142eb8bc72ccbfdcb925fee507b8506c4e01a6b5/Cabinet.apass-landings-78-copy.jpg" data-mid="96661726" border="0" src="https://freight.cargo.site/w/1000/i/716aabc41ae653e88c987325142eb8bc72ccbfdcb925fee507b8506c4e01a6b5/Cabinet.apass-landings-78-copy.jpg" /> The fact that the two fields, the era’s contemporary art and psychoanalysis, needed, used, and fed back into each other is instrumental. Lacan found the inspiration to re-orient a new venture of contemporary psychoanalysis by boldly appropriating from unlimited cross disciplinary knowledge, while the artist avant-garde was now fueled with the subject matter, material, and new processes to produce curative and conceptual art works for a generation called Surrealism. The exchange is illustrated by such gestures such as Lacan using Dali’s novel theories of a Paranoiac Critical Method to invalidate the classical psychiatric idea of paranoia. And the surrealists using the couches of the psychoanalysts, with results of course not limited to their work. <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/3fa7991558e1c600f9889aed6d3d674881818eaa9a6b6afdc05185fdf8665d3c/Cabinet.apass-landings-66-copy.jpg" data-mid="91693258" border="0" src="https://freight.cargo.site/w/1000/i/3fa7991558e1c600f9889aed6d3d674881818eaa9a6b6afdc05185fdf8665d3c/Cabinet.apass-landings-66-copy.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6523b0c13c337dd9b2dcc16687e1f4f3693a0585aff60888363a893fd0baec7e/Image.IMG_2382.jpg" data-mid="91693265" border="0" src="https://freight.cargo.site/w/1000/i/6523b0c13c337dd9b2dcc16687e1f4f3693a0585aff60888363a893fd0baec7e/Image.IMG_2382.jpg" /> <img width="640" height="632" width_o="640" height_o="632" data-src="https://freight.cargo.site/t/original/i/5be973f50aefb5a7ab327fbc98216c2dca8042e9938c3b8b2caebd75be64cef4/Image.AGA-performance-smallImage.jpg" data-mid="91693266" border="0" src="https://freight.cargo.site/w/640/i/5be973f50aefb5a7ab327fbc98216c2dca8042e9938c3b8b2caebd75be64cef4/Image.AGA-performance-smallImage.jpg" /> <img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/e74b0d7a535e2d5c75ee393ab23110b9276b8b09ed441028df522458b729b559/Image.aga.details.02.jpg" data-mid="91693267" border="0" src="https://freight.cargo.site/w/600/i/e74b0d7a535e2d5c75ee393ab23110b9276b8b09ed441028df522458b729b559/Image.aga.details.02.jpg" /> What if my colleague avant-gardes hadn’t kept their work with psychoanalysis confined to the couch, limited to the theoretical, and kept their productive creative techniques, and their curative processes for themselves, but would have applied their same perspective of psychoanalysis in the performative from the position of the chair. Who of these celebrated historical figures got off the couch to apply their knowledge of practice, to practice of psychoanalysis? None. A proposition with especially compelling potentials in the clinical sense. Inserting myself into this narrative, with a decade of practice and theory, from the perspective of a post post-conceptual artist-surrealist, in the role of dilettante analyst/therapist practicing the performative process between art and psychoanalysis made public through exhibition making, performance and writing. “What I am trying to do, is to let you in on something that is under way, that is in train, something that is unfinished...it all revolves around the fact that the function of the psychoanalyst is not self-evident, that, when it comes to giving him his status, his habits, his reference, and even his place in the world, nothing is obvious, nothing is self-evident at all...everyone thinks they know what psychoanalysis is, apart from psychoanalysts, and that really is worrying. They are the only ones not to know” (Jacques Lacan)Beginning at the end of Lacanian analysis, the work takes revisiting and reevaluating the position of psychoanalysis one step further in its lineage. The Psychosculpture employs the Lacanian trick of using psychoanalysis very practice of “opening” to open itself. The practice of smashing together psychoanalysis with art, sculpture and theater ultimately produces something new. By implementing the skeletal vertebrae of the aforementioned disciplines, they are emptied out and their fundamental workings are exposed, performing a pseudo-deconstruction so that a re-re-construction may be performed. I am essentially locating myself in the same void as that of Lacan, a constitutive void before reconstruction, appropriating from the discipline and claiming it for art, art where experimentation, risk, and failure are most imperative to the operation. Art’s ability to obnoxiously elude clear signification make it a fertile ground for a psychoanalysis on psychoanalysis, and to revisit and redefine its working parameters. Art may in fact be the best discipline for psychoanalysis to situate itself, for it is located in potentiality, in that its practice is never the destination, but rather always in transit to what is known and embarking on the parameters of the new. In this way, artistic practice could be identified with the psychoanalytic disposition of the hysteric, permanently dissatisfied and exerting relentless pressure on the boundaries of what we know, or what we think we know, for the virtue of progress. Whether in commercial galleries or public institutions I am happy working in the context of the visual arts with a focus on performativity and scenography. Of course, through my statements it is clear that much of the work happens outside of this exhibition concept, in private or ephemeral circumstances, the exhibition format remains a key factor in art’s relevance to society. The celebration of the placement of the artist’s work into the public world. The contemporary art world provides the safe ground and economy to allow my work its possibility, and while comfortably at home in the white or whitish cubes that honor the artist studio, it is the slipping between contexts that gives the work fuel. While conceptually positioning myself amongst those artist and writers called Surrealists, the work of this project is not limited to the reinforcement and extension of their findings, techniques, and processes but can also interject with a contemporary informed critique of the movement and the era it was a part of.&nbsp; The celebrated group of artists, while containing women, was a fellowship of men and predominantly male movement. The movement often adopted archaic attitudes about women, women made to represent some higher or enigmatic creatures of humanity with pure values and transformed into objects of desire and mystery. The Surrealist’s regarded other marginalized groups with a similar reverie as they did women, for example celebrating romantic clichés about non-European cultures termed barbaric and uncorrupted, and fetishizing over the genius of the mad and mentally ill, collecting their rendered forms and aesthetic and using it for and in their own work.&nbsp; A whole potential aspect of the work remained undeveloped as the Surrealists could be criticized for sticking in representation and for being in action primarily with the verb ‘use’ while ignoring the spectrum of its opposite term, work in the pole of “give”.&nbsp; Today, just as we need to change our stories of fiction to shape the possibilities of a new alternative future, we also need to change our history story.I see the artistic work I make as symptoms with deposits of meaning. As I allow these symptoms to manifest into art objects they are domesticated into a productive reality, the reality of art. They all contain something of me, they are signs, again symptoms of the things that make me, me. The art works all contain meanings, and mysteries that slowly reveal the identity of the artist contained within myself, my other self that is me, the Hegelian Beautiful Soul, the me in me. As artists in the contemporary field of art, we are constantly demanded to mediate our work. In fact this persistent requirement for mediation, meaning giving, and explanation, performs the role of the ego. Our artworks always exist in a past, they are always facing the judgement of this voice of the ego, in this process we experience a separation from the actuality of the works, things that do in fact exist, spoken into materiality like language. It is not the Cartesian “I think therefore I am”, rather “it speaks” and there I am, I am artist, speaking in the language of things, there. see.“What is the ego, if not something the subject experiences first as being alien to himself within himself. Thus, the subject is always in a relationship that proceeds his own complete development, which relates him/her to a level of fundamental inadequacy and bears witness within him to a flaw, a split.” I encourage this split when I work, and when I do the mediating work of my work, one part couch, one part chair. The connection between my artistic work and this research proposal is found between the analytic ego of the knowledge producer, and the It that is I the artist when I speak in the language of art. As our contemporary art is free in its appropriation of forms, it must also include the construction and observation of its own self-administered ethics as component of the creative process. When using potentially delicate forms as material, such as human psychology, death, madness, or therapy the necessity of a system of ethics is critical. And the ethics of an artist carry the same value as any other of the honorable professions such as doctor, judge or elected official. <img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/afa8543bb9044a811479fe6437210ed2b5b7db9098e67a2e7a996455f9388b1c/Image.aga.details.06.jpg" data-mid="91693268" border="0" src="https://freight.cargo.site/w/1000/i/afa8543bb9044a811479fe6437210ed2b5b7db9098e67a2e7a996455f9388b1c/Image.aga.details.06.jpg" /> <img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/bd282f56859f7ac7c97ef72f3fd63026cbfac675188a7b33b5e10ac96462d137/Image.aga.details.08.jpg" data-mid="91693271" border="0" src="https://freight.cargo.site/w/1000/i/bd282f56859f7ac7c97ef72f3fd63026cbfac675188a7b33b5e10ac96462d137/Image.aga.details.08.jpg" /> <img width="1500" height="970" width_o="1500" height_o="970" data-src="https://freight.cargo.site/t/original/i/d683f96995a5dabba037b4eb117517a85bd242c24313608b7a62a9015d36578a/Image.psychosculpture.opening.aga.fullcrop.jpg" data-mid="91693272" border="0" src="https://freight.cargo.site/w/1000/i/d683f96995a5dabba037b4eb117517a85bd242c24313608b7a62a9015d36578a/Image.psychosculpture.opening.aga.fullcrop.jpg" /> <img width="1340" height="893" width_o="1340" height_o="893" data-src="https://freight.cargo.site/t/original/i/a4aa2ebda31114bff58bcdf504d9e471c891c313d85f2ad3622bbfd06d68091b/Sublime.Psychosculpture.Ireland.Skelligs.session_1340_c.jpg" data-mid="96664577" border="0" src="https://freight.cargo.site/w/1000/i/a4aa2ebda31114bff58bcdf504d9e471c891c313d85f2ad3622bbfd06d68091b/Sublime.Psychosculpture.Ireland.Skelligs.session_1340_c.jpg" /> Art. Perhaps art, this three-letter word, is the greatest example of the void. Not the void of melancholia, that of absolute loss, but the void as a consequence of creative destruction for the sake of reconstruction. For art never sits, never rests in its own achievement, never congratulates itself to the point of placation. Art is never finished, never complete – it burns to invent, to recreate, to give birth to new possibilities, to resist rigidity and the possibility of stasis. And in order to invent, art must critique and destroy that safe familiar framework that already exists. And so it could be argued that arts only imperative is to invent an imperative. You create a nothing in order to create a something. Duchampian urinal.Arts unique exceptionalism, that excuses it from everyday obligations, permits it to be audacious, sensational and literally ground-breaking. <img width="1340" height="893" width_o="1340" height_o="893" data-src="https://freight.cargo.site/t/original/i/645a66b624ea8cecd326ffc051fea17e47d581801e19ee70de8dfa1e3bf0d40f/Sublime.Psychosculpture.Ireland.cliff-abyss-session.jpg" data-mid="96664607" border="0" src="https://freight.cargo.site/w/1000/i/645a66b624ea8cecd326ffc051fea17e47d581801e19ee70de8dfa1e3bf0d40f/Sublime.Psychosculpture.Ireland.cliff-abyss-session.jpg" /> <img width="800" height="1133" width_o="800" height_o="1133" data-src="https://freight.cargo.site/t/original/i/e0baa7b1e1073ed9b138b6d5e3ca5550281ce1d968cd996025baa93d62923128/Openings.detail.BespokeWallpaper.jpg" data-mid="96665002" border="0" src="https://freight.cargo.site/w/800/i/e0baa7b1e1073ed9b138b6d5e3ca5550281ce1d968cd996025baa93d62923128/Openings.detail.BespokeWallpaper.jpg" /> We must bare this creative destruction in mind when we consider the conceptual implications of The Psychosculpture. The work uses the psychoanalytic format of a talk therapy session in order to create the possibility for art to (im)materialize. Environments reminiscent of a therapists office are created with visual prompts and seated positions for both the ‘analyst’ and ‘analysand’ for the Psychosculpture action to play out. Ostensibly this may appear to be psychoanalysis - but it is not. The Psychosculpture borrows, or rather steals, tools from the field of psychoanalysis in order to reinvent this discipline and create something new. Not a psychoanalyst, but an artist, nor is it practicing psychoanalysis, rather practicing art. And because this research is firmly placed within the terrain of art, it may, as all good artists do, steal, use and disuse concepts at will.&nbsp; The Psychosculpture draws from and experiments with different established disciplines in order to create something new. The fact that experimentation is fundamental to the practice, and integrally, to the practice of art, echoes that of scientific endeavor, however it could be argued that the borders of experimentation are much less controlled and defined within art. Art and Science both work at the precipice of progress – pushing at the frontiers of the unknown in order to discover the new. Art’s lack of official obligation in scientific progress guarantees the result of research less compromised by controlled borders of conduct that are present in other disciplines, such as science. This emancipated realm of art does not, however, mean that its practice is without structure or order, but rather that its structure may be constructed and deconstructed more freely and sporadically than other fields of research. <img width="1340" height="961" width_o="1340" height_o="961" data-src="https://freight.cargo.site/t/original/i/9cf75b9e70db61bfb626f73f79973b6ad0afadc148b5a011ae56202cc7215802/Openings.psychosculpture.05_2x.jpg" data-mid="96665134" border="0" src="https://freight.cargo.site/w/1000/i/9cf75b9e70db61bfb626f73f79973b6ad0afadc148b5a011ae56202cc7215802/Openings.psychosculpture.05_2x.jpg" /> This malleability is, of course, endemic to all experimental practice but the difference with experiments enacted within an artistic discipline is that the modification of variables is more impromptu, eclectic and able to occur without vigorous defence. Perhaps it is arts alternative status and supposed lack of responsibility in economic functionality, evolutive education and socio-political progress that permits this heightened reign of free conduct and therefore production of wild and radically new results. Psychosculpture appropriates psychoanalysis for the discipline of art, which is particularly interesting in relation to the historical classification of psychoanalysis and its potential futuristic reinterpretation. In the early nineteenth century Sigmund Freud began researching into the idea of the unconscious, a previously neglected component to psychiatry, whilst working as a neurologist at a children’s hospital in Vienna. Firmly placed within medicine and neurology Freud was determined that these new findings, which he coined psychoanalysis, be accepted as a science and awarded the accolade and weight that scientific research harbours. At this point psychoanalysis was foetal in its stage of development and therefore shocking in content and threateningly new. By classifying psychoanalysis as a science before its scientific factuality was validated aided Freud in his struggle to convince society of his findings, both during his lifetime and posthumously.&nbsp; Although this pre-supposition of psychoanalysis as a science was a useful tool in rhetoric it simultaneously castrated this new idea’s potential. The qualification of psychoanalysis as a science helped to provide this idea with social confidence, but at the same time it also put an additional pressure on it to legitimize its findings before it possessed the necessary psychological tools to do this. Perhaps if Freud had classified psychoanalysis as an art, which possesses the potential to transgress inhibitory controls resident in other research fields, his research might have endured for longer.In the 1950’s Jacques Lacan returned to Freud and began re-appropriating psychoanalysis with Hegelian philosophy and structural linguistics. Lacan’s reinterpretation of psychoanalysis became an interpretative composite of different critical thought, which in opposition to Freud, he outwardly encouraged as a strategy to elude categorization. This can be observed in his ruminations on posthumous categorization, which he spoke openly about in one of his teaching sessions:“When you have been dead long enough, you find yourself being summed up in three lines of a textbook – though where I am concerned, I’m not too sure which textbook it will be” (Jacques Lacan)Freud couldn’t resist the temptation of ‘nobility’ through scientific classification, Lacan emancipated psychoanalysis from its inhibitive classification and now the Psychosculpture reclassifies it but this time as precisely indeterminate – as pure experimentation. This act simultaneously classifies and declassifies psychoanalysis because of arts tenacity towards the unknown. Here psychoanalysis benefits from this (temporary) re-categorization, but so does art, as it is placed within the terrain of research and lent the respect synonymous with a doctor’s office and the aesthetic of mastery. <img width="1340" height="899" width_o="1340" height_o="899" data-src="https://freight.cargo.site/t/original/i/473c0cbde7d7ae0372515c05a730c78496fb6b0018b1d855c4d98d1dfad54073/openings.psychosculpture.08_2x.jpg" data-mid="96665276" border="0" src="https://freight.cargo.site/w/1000/i/473c0cbde7d7ae0372515c05a730c78496fb6b0018b1d855c4d98d1dfad54073/openings.psychosculpture.08_2x.jpg" /> <img width="1340" height="850" width_o="1340" height_o="850" data-src="https://freight.cargo.site/t/original/i/ceb48af0d00bfc4cb31f922659d2fb96d824093a05c47a5821fb027a0fd77a48/Openings.psychosculpture.door.jpg" data-mid="96665269" border="0" src="https://freight.cargo.site/w/1000/i/ceb48af0d00bfc4cb31f922659d2fb96d824093a05c47a5821fb027a0fd77a48/Openings.psychosculpture.door.jpg" /> <img width="480" height="360" width_o="480" height_o="360" data-src="https://freight.cargo.site/t/original/i/36b47250f2da7a603380aa4b5e8b178e6e400bf8b6d359994f50be1ed6c1ae1c/Openings.Performance.SmallImage.jpg" data-mid="96665263" border="0" data-scale="100" src="https://freight.cargo.site/w/480/i/36b47250f2da7a603380aa4b5e8b178e6e400bf8b6d359994f50be1ed6c1ae1c/Openings.Performance.SmallImage.jpg" /> <img width="1340" height="829" width_o="1340" height_o="829" data-src="https://freight.cargo.site/t/original/i/153f5648988549a812d3c9f4833dacef8207093259af1f8234e06734c043d115/Openings.psychosculpture.06_1_2x.jpg" data-mid="96665427" border="0" src="https://freight.cargo.site/w/1000/i/153f5648988549a812d3c9f4833dacef8207093259af1f8234e06734c043d115/Openings.psychosculpture.06_1_2x.jpg" /> The position as an artist not a ‘trained’ psychoanalyst practicing psychosculpture-neo-psychoanalysis is very revealing in relation to the dynamic at play between the analytic master (the one who is supposed to know) and analysand (the one who is not supposed to know). In psychoanalysis the analyst does not in fact possess the solution, not because he is bad at his job, but rather because he cannot possess the solution – no one can, for the solution is fictitious. In Lacanese the ‘solution’ is the ‘objet petit a’ - that certain little thing which drives and perpetuates desire, but which is actually eternally elsewhere and logistically impossible. This concealing of information in Lacanian psychoanalysis may sound intrinsically deceptive, however Lacan believed it vital that this information be withheld or deferred by the analyst for the session to function. For if it were declared that the master signifiers masterfulness was in fact an illusion the analysand would not invest time or trust in the session and its inauguration would be impossible. It is only when the analysand comprehends that there is in fact no resolute answer, that analysis is not holistically remedial and that the analyst does not possess the remedial solution, that analysis has reached its aim, which Lacan termed ‘traversing the fantasy’. So ironically it is only when the analysand sees the fantasy as precisely a fantasy, that there is no hierarchical distinction between analysand and analyst in what is known, that analysis is successful.Contrastingly in a psychosculptural session, my practicing symbolic significance, as the token master, is more ambiguous. Being an artist, rather than psychoanalyst, the standard model of hierarchal role-play is inherently usurped. As an artist, rather than a ‘doctor’, the traditional master position is aligned more with the position of an amateur, or more specifically a dilletante:“The amateur harbors a desire to become professional, or measures its success according to a framework defined by a professional field. The dilettante, on the other hand, is not seeking expertise per se but rather specificity from where one can ask fundamental questions”In a way psychosculptures skip over the preliminary steps Lacan performed through psychoanalysis and start at the end of a Lacanian psychoanalytic session where the patient is partially aware of the hierarchical illusion at stake in analysis. Even as an artist there is a play made in the role of the totem master who does not know, not because he does not know but because he cannot know – for no one can because it is precisely un-knowable. By asserting this status as an artist not psychoanalyst practicing pseudo-psychoanalysis, this exposure ensures that the work situates itself within the realm of research and experimentation, rather than medicine. The revelation of practicing completely within the terrain of the unknown is ironically also intrinsically the analysands position in Lacanian psychoanalysis. Because of the dilletante role the master signifier is able to oscillate between participants on a platform where mutual and rhizomatic research (or art) is produced collectively. The artist and whoever is participating, make discoveries together and collectively produce the work and inherently remove individual authorship; “They are coming to produce my work / I am producing their work / work is created”. Here Psychosculpture can be seen as a platform for collaboration, or collective practice, where the hierarchical structure is not removed completely but made constitutively flexible.In effect the ‘art moment’ manifests immaterially in the dialogue; “the therapeutic dialogue produced between the two participants is the work”. By providing a platform, the opening offers a possibility for an ‘art moment’ to occur through participatory interaction. In psychosculptures it is explicitly the people, not the material, which make the work, making participation inherently requisite to this work. Here it is important to outline exactly what is meant by participation. The Psychosculpture is in fact not in the Nicolas Bourridian territory of participatory art, but rather more echoic of the Beuysian notion of social sculpture. Although participation is fundamental to the operation of this practice, it is here not the work, per se. The work is not exclusively about social inclusion, opening up the terrain of art to the general public and making a playground out of artistic endeavour, a la Bourriaud, but rather participatory in that the work cannot function without participation. Psychosculpture cannot be consumed or participated by simply anyone, for whoever engages in the process must participate with cause and have something at stake or something to offer. Without this commitment the work is impossible. The practice is fundamentally social and adopts the Beuysian notion of social sculpture pushing it further in immateriality. in the end this work can also be seen as an analysis of what it means to be an artist and what a piece of art is. <img width="1340" height="867" width_o="1340" height_o="867" data-src="https://freight.cargo.site/t/original/i/f129ebb2a9c697c87ae474cdc03b10c2304a695ab18f76e88ae9aa6c4dfb955b/Origins.Psychosculpture.02.jpg" data-mid="96665921" border="0" src="https://freight.cargo.site/w/1000/i/f129ebb2a9c697c87ae474cdc03b10c2304a695ab18f76e88ae9aa6c4dfb955b/Origins.Psychosculpture.02.jpg" /> <img width="2462" height="3402" width_o="2462" height_o="3402" data-src="https://freight.cargo.site/t/original/i/c108402537a9a059e7ec1503dc0323d4dddd38b2cc6cbf2c18ed902d6cf41131/PSYCHOSCULP-06.png" data-mid="96666319" border="0" src="https://freight.cargo.site/w/1000/i/c108402537a9a059e7ec1503dc0323d4dddd38b2cc6cbf2c18ed902d6cf41131/PSYCHOSCULP-06.png" /> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228190" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" /> All rights reserved&nbsp;© 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Biography Thu, 10 Dec 2020 13:12:16 +0000 Brendan Michal Heshka https://brendanheshka.com/Biography Biography <img width="350" height="519" width_o="350" height_o="519" data-src="https://freight.cargo.site/t/original/i/c22a339d318d6eef235002ea27f7eb6c4204e48616c35ed2ddfb847afc310a9f/photo.jpg" data-mid="96512159" border="0" data-scale="68" src="https://freight.cargo.site/w/350/i/c22a339d318d6eef235002ea27f7eb6c4204e48616c35ed2ddfb847afc310a9f/photo.jpg" /> Brendan Michal Heshka holds a Bachelor of Arts in Theatre and Film (University of Winnipeg, Canada), a Master’s in Dirty Art (MDes, Sandberg Institute, Amsterdam), and a certificate as an artistic researcher from A.PASS (advanced performance and scenography studies, Brussels). Heshka defines his work as post-post-conceptual art, interested in constructing spatial narratives that perform in reality but that simultaneously offer themselves as backdoor entrances into alternative realities, dimensions of fiction, the unconscious, the mystical, and alchemic. Working in the context of the visual arts with a focus on performativity and scenography, Heshka’s work is made manifest through art exhibitions, objects, images, texts and performance. Canadian by origin, Heshka lives and works in Berlin, Germany. Artist statement I see the artistic work I make as symptoms with deposits of meaning. As I allow these symptoms to manifest into art objects they are domesticated into a productive reality, the reality of art. They all contain something of me, they are signs, again symptoms of the things that make me, me. The art works all contain meanings, and mysteries that slowly oscillate between revealing and concealing themselves. Simultaneously, confessing and confusing the relationship with their producer, the identity of the artist contained within myself, my other self that is me, the Hegelian Beautiful Soul, the me in me, marked out by the limits of representation. As artists in the contemporary field of art, we are constantly demanded to mediate our work. In fact this persistent requirement for mediation, meaning giving, and explanation, performs the same role as the ego. Our artworks always exist in a past, they are always facing the judgement of this voice of the ego, in this process we experience a separation from the actuality of the works, things that do in fact exist, spoken into materiality like language. It is not the Cartesian “I think therefore I am”, rather “it speaks” and there I am, I am artist, speaking in the language of things, there. see. Published works Conceptual Fine Art Magazine At the show with the artist: Brendan Michal Heshka’s psycho psychoanalysis of the musée fin de siècle in Brussels ︎︎︎ Read here Masters thesis An Alien Odyssey to Creative Freedom: Towards a Theory of Artistic Research; from the Abstract Maybe to the Concrete Real&nbsp; ︎︎︎ Read here <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228215" border="0" data-scale="8" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" />All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact https://brendanheshka.com/Contact Thu, 10 Dec 2020 13:25:10 +0000 Brendan Michal Heshka https://brendanheshka.com/Contact Contact <img width="1280" height="1072" width_o="1280" height_o="1072" data-src="https://freight.cargo.site/t/original/i/f76791e5ba56ccf2e7b3ba7b910071ede0f632e3ca632318965d59383127566d/1280px-Flammarion.jpg" data-mid="91692911" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f76791e5ba56ccf2e7b3ba7b910071ede0f632e3ca632318965d59383127566d/1280px-Flammarion.jpg" /> Brendan Michal Heshka From Winnipeg, Canada Based in Berlin, Germany Atelier BMHPorschestraße 11-17, 12107 berlin&nbsp;MwSt nr. DE315009192 +49 176 2440 3004 brendanmichal@gmail.com brendanheshka.com CV <img width="1340" height="1005" width_o="1340" height_o="1005" data-src="https://freight.cargo.site/t/original/i/51f35391fe9cf07a048d0b41614eb01f4c2b54e75da5e3ca7246b0f170a55975/floor.plan.groundfloor.ofAHouseWithRooms.Wbackdoor-copy-page-001_1340_c.jpg" data-mid="100753046" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/51f35391fe9cf07a048d0b41614eb01f4c2b54e75da5e3ca7246b0f170a55975/floor.plan.groundfloor.ofAHouseWithRooms.Wbackdoor-copy-page-001_1340_c.jpg" /> Education 2016&nbsp; &nbsp; Post Matser, A.PASS - Advanced Performance &amp; Scenography Studies, Brussels, BE 2014 MDes, Master of Art &amp; Design, Dirty Art Department, Sandberg Institute, Amsterdam, NL 2008 BA with Distinction, Filmmaking, Theatre and Film Department, University of Winnipeg, CA Awards/Grants/Residencies 2016 Artist-in-Residence, Bains Connective, Brussels, Belgium 2014 Artist-in-Residence, Cill Rialaig art center, Kerry County, Ireland, UK 2013 Artist-in-Residence, Society is a Workshop, Banff Centre for the Arts, Banff, Canada 2012 International Student Bursary Award, Manitoba Arts Council, Winnipeg, Canada 2010Founded the Alexander Ross Trading Post Nomadic Gallery, Winnipeg, Canada 2008 Founded The Spot Underground Project Space, Winnipeg, Canada 2006 Awarded the Academic Proficiency Scholarship (Board of Regents), University of Winnipeg Exhibitions 2019 Medieval Minded,&nbsp; Stigter van Doesburg, Amsterdam, NL, group show curated by Daniel van Straalen 2018 1381 Swan, Martin van Zomeren, Amsterdam NL, Amsterdam, NL, group show Psychosculptural Aesthetics, Galerie Rianne Groen, Rotterdam, NL, group show curated by the Office for Curating 2017 Survival Guide, Art Gallery of Alberta, Edmonton, Canada, group show curated by Kristy Trinier Dissolve Into a Red Dwarf, Island, Brussels, BE, group show co-curated by Helmut Stallaerts &nbsp;Landings, Morpho House, Brussels, BE, group show 2016 Wrong Guns, with Agency Agency at Brussels, BE Popossitions, alternative art fair &nbsp;All Mounds Can Be Seen From My Window, Bunkier Sztuki Contemporary Art, Krakow, PL, group show 2015 Hijacking Karma 2.2, Stigter van Doesburg, Amsterdam, NL, group show Hijacking Karma 2.1, Stigter van Doesburg, Amsterdam, NL, group show 2014 Hijacking Karma (Again), Nest Contemporary Art Platform, The Hague, NL, group show Daddy Far Away, PostNorma Project Space, Amsterdam North, NL, group show An Exhibition With Ceramics, Portmanteau, Geneva, Switzerland with Theo Demans, group show Trains of Thought, Goethe-Institut Niederlande, Rotterdam, NL, curated by Amira Gad, group show 2013 (Un)Coverings, Fleming Collection, London, UK, with collective Foundation &amp; Trust, solo show Hijacking Karma (in a Positive Way), Oude Kerk, Nuit Blanche, Amsterdam, NL, group show Any Space is the Place, Wanderlust for Paris Design Week, Paris, FR, group show and video performance Society is a Workshop, Philosophers Knoll, Banff, Canada, with collective Foundation &amp; Trust, group show No Big Party, De Punt Project Space, Amsterdam, NL, group show PostPot, Rietveld Academie Genraal Vetterstraat Project Space, Amsterdam, NL, group show 2012 Kunstvlai; INexactlyTHIS Festival of Independents, Amsterdam, NL, curated by Natasha Ginwala &amp; Floor van der Muiswinkel, with Oona Linke, Daniel van Straalen, Leila Arenou, Dagmar Attladottir, Josefin Arnell, and Elise van Mourik. Art fairNew Work, Martha Street Studio Gallery, Winnipeg, Canada, members show 2011 Post-No-Bills, Winnipeg Art Fair, Winnipeg, Canada, art fairLa Deuxieme Partie, Golden City Fine Art, Winnipeg, Canada, group show 2008 Do-It-Yourself, The Spot Underground Project Space, Winnipeg, Canada, group show Curated Exhibitions 2014 C3 Cooperation/Collaboration/Collectivity, Acme Project Space, London, UK, co curated with Foundation &amp; Trust2011 Trade~Marx, Alexander Ross Trading Post, Winnipeg, Canada, archival photography and prints with artist John Paskevwich, curated with Eric Wood February, Alexander Ross Trading Post, Winnipeg, Canada, group show, curated with Eric Wood J.K. Is O.K., Alexander Ross Trading Post, Winnipeg, Canada, Jake Kosciuk solo exhibition 2010&nbsp; &nbsp; Museum, Alexander Ross Trading Post, Winnipeg, Canada, group show and performances 2008&nbsp; Life Imitates, The Spot Underground Project Space, Winnipeg, Canada, group show curated with Paul Horoshok No Heat, The Spot Underground Project Space, Winnipeg, Canada, Jake Kosciuk solo exhibition Scenography 2015 Scenography for Open Perspectives on Oskar Hansen, with Martin Belou at La Loge, Brussels, BE, seminar series 2013&nbsp; Scenography for Design, Poverty, Fiction conference, Le Grand Hornu Musee de Arts Contemporains, BE, curatedby Catherine Geel, Stephane Degoutin and Olivier Peyricot. Produced in collaboration wit Elise Van Mourik, Laure Jaffuel, Daniel van Straalen, Nina Jansen, Leila Arenou, Oona Linke, Stephane Barbier Bouvet, and with ENSAD (Paris) and ESBA (Angers). Presentations/Lectures/Workshops/Events 2018 Aftertaste, Etablisment d’en Face, Brussels, BE, group event organized by Margaux Schwarz 2016 The Dead Are Always High, performance and reading, PAF/Performing Arts Forum, St. Erme, FR What Do You See?, lecture performance, PAF/Performing Arts Forum, St. Erme, FR 2015 Psychosculpture: The Geometry of Three, workshop and artist lecture performance at Transmission Gallery, Glasgow, UK, with Mariana Lanari and Helen Turner
 Masterkey: immediate spaces for Immediate Spaces, workshop at the Sandberg Institute, with Theo Demans, and Reinier Kranendonk, as PostNorma, Amsterdam, NL 2014 An Alien Odyssey to Creative Freedom, presentation, reading &amp; book release, Auto Control, Amsterdam North, NL An Alien to a Readymade: Duchamp to Duchamp, lecture performance, Fleming Collection, London UK. An Alien Artwork, three act play performance, Rietveld Academie Generaal Vetterstraat Project Space,Amsterdam NL. Guest crit/ Guest lecturer, Fine Arts, Chelsea Collage of Art and Design, London, UK. 2013 Guest crit, Immediate Spaces, architecture department, Sandberg Institute, Amsterdam, NL. If We Could Communicate, We Wouldn’t Have To, short, two man three act play performance, with Josefin Arnell Sandberg Institute, Amsterdam, NL. Dirty Fantasies, performance with Versace’s Birthday and the Constant Yo Show; internet poetry collective and art band with Michele Rizzo, Theo Demans, and Daniel van Straalen, Krux Amsterdam, Amsterdam , NL. The Talking Cure Project, artist in residence project, Banff Centre for the Arts, Banff, Canada. Art &amp; Capitalism, Marxist conference London, UK, video lecture performance with Foundation &amp; Trust. Uncreative Poetry, Banff Centre for the Arts, Banff, Canada, poetry reading. The Vanishing American Hobo, Le Grand Hornu Musee de Arts Contemporains, BE, reading and performance with Catherine Geel. Threeing, Sandberg Institute, Amsterdam, NL, lecture performance and group therapy workshop. The Dirty Tattoo Workshop, Sandberg Institute, Amsterdam, NL, workshop with Daniel van Straalen. 2012 Talk Therapy Project Announcement, Gerrit Rietveld Pavillion, Amsterdam, NL. Digital Darkroom, workshop, Martha Street Studio, Winnipeg, Canada, with Larry Glawson. 2011 The Secret Dinner Party, event series, Winnipeg, Canada, launch with Cyrus Smith and Mandel Hitzer. 2010 Ghosts and Hauntings in Guy Maddin’s My Winnipeg, guest lecture, University of Winnipeg with Kim Olynyk. HellRave, pop up night club series, Winnipeg, Canada, with Fraser Auld 2008 The Parlor Project, The Spot Underground Project Space, Winnipeg, Canada, contemporary and classic 16mm film screening series with Jonah Corne, Jason Shields and Guy Maddin. Published Work 2016 At the Show With the Artist; Brendan Michal Heshka’s Psycho Psychoanalysis of the Fin de Siecle Museum, Conceptual Fine Arts Magazine, introduction by Piero Bisello 2014 An Alien Odyssey to Creative Freedom: Towards a Theory of Artistic Research; from the Abstract Maybe to the Concrete Real, artist book and Masters thesis. 2013 Duchamp to Duchamp, in “Agency: Some Texts on an Exhibition”, publication in conjunction with Foundation &amp; Trust exhibition (un)coverings at the Fleming Collection, London, UK. Reviews 2014 Un alieno nell’odissea del pensiero. Ovvero: la libertà della scrittura in un libro raro e ambizioso / An alien embarks on an odyssey of thinking about artistic practice: Freedom of writing in a book rare for its ambitions. By Chiara Ianeselli for the Italian art magazine Exibart. Languages Proficient in English and French. <img src="x-apple-ql-id://CFF90809-D3B9-4879-A4FF-45C5900292E7/x-apple-ql-magic/preview1.pdf" width="100%" style="width: 327.032px; height: 15.9688px;"> <img width="1859" height="3209" width_o="1859" height_o="3209" data-src="https://freight.cargo.site/t/original/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" data-mid="103228463" border="0" data-scale="3" data-no-zoom src="https://freight.cargo.site/w/1000/i/e7661521901619e8eeccb68c3f2729068ad95604a8782c14902305ac07c4cc13/Wheel-02.png" />All rights reserved © 2021 Brendan Heshka Impressum · Instagram · Contact